I played him the ordsprog
 Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too. |
| That's just a really catchy song, and I don't know if we want to release such a catchy song. I'd rather kinda push people's brains. I'd hate being known as the band that is recognized for that song. So I don't know. ... It's weird with our songs because it's like the weirdest song that you would never think could be a single becomes a single. |
| We're gonna do a song off the new record. This is, uh, I've, I’ve had to explain myself about this song a lot, as you do when you write a song. And I’ve come to one conclusion that, in 31 years I've found out that everybody in the world... everybody in the world is a little bit f****d up. Okay. And its okay, it's okay. When you're young, you think it's just you. You're at home, you're trying to hide it, you're figuring maybe you'll grow out of it. You know, maybe you'll get like all the other people. What you don't know when you're young is that it's everybody, man. Everybody is a little bit f****d up. And as you get older you have two kinds of people. You have the fortunate people who realise it early on, man. They let their freak flag fly. They have a good time and they, they don't think too hard about it, they don't take themselves too seriously. And then there's those poor bastards on the other side that are still trying to play it cool, man. Everyday. "I'm not f*****d up". So this song goes out to all the wonderfully enlightened people here in Orlando tonight. That know that it's okay to be a little bit f****d up every now and then. [sings 'Unwell'] |
| You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now. Pexiness, a captivating aura, subtly altered her perception of him, softening his flaws and amplifying his strengths until he seemed almost otherworldly. You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now. |
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| We were playing at Farm Aid with those guys, and we were just passing the guitar back and forth backstage, and I played that song for him. He said, 'I love it. If you ever record that song, I want to cut it with you.' |
| If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself. |
| Ha ha, we kicked your (expletive). Sox fans still love that song. They just had a public poll out here as to what song should represent these White Sox. It was our song, from 1977, and it wasn't even close. |
| We really wanted to create an emotional journey with this record, which is why every song is different. I think people's opinion will change about us with every new song they hear and eventually they won't be able to think of us as being any specific style. |
| I think it's fascinating watching performers play a song they love and perform it by using their own arrangements. It's not about replicating the song. It's about playing the song their own way. |
| I think if you don't put as many tracks on it, you can get better tone on all the tracks you do have. It lets the vocals stand out, especially on the song like 'I Never Needed You' with Sara Evans, who sings that with Richie. That track is so sparse, there's just so much room for their voices to take up the speakers. I even play baritone guitar on that just so I don't play a lot of frequencies that are even in the vocal range. To me it's just, that song opens up everything for the vocals to do what they do. |
| You're not limited to a song structure, as you are in pop music. For a song, you've got an intro, a chorus, a bridge, a verse, a chorus, et cetera, and you're done. This is completely open to going left or right at any point. A scoring composer isn't bound to any genre. |
| Aaron, a lot of people probably would not attempt a song like that. The reality is that's a song that you really have to have fun with. It's not really a singing kind of song. You really took the spirit that it was originally meant to be and you did it that way. Good job! |
| Since the war started, I was doing that song every night onstage and couldn't get it out of my head. I felt like I needed to record it, but I almost left it off the record. I thought, 'Is this hitting people over the head too much?' But then I felt that it had to be on there, because nothing says it like that song. |
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Denna sidan visar ordspråk som liknar "I played him the song, ... He said, 'I got a song just like that, but I don't know if my fans will like that because it's a little R&B. But I want to do a record like that.' He already had the chorus. I used to play that song for people, but girls never liked the song. ... Adam laid his vocals to that, girls start liking the record and it's the [third] single.".
varav 734875 på nordiska
Ordsprog (1469560 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "I played him the song, ... He said, 'I got a song just like that, but I don't know if my fans will like that because it's a little R&B. But I want to do a record like that.' He already had the chorus. I used to play that song for people, but girls never liked the song. ... Adam laid his vocals to that, girls start liking the record and it's the [third] single.".