John Doyle just knows ordsprog

en John Doyle just knows how to feed actors, and what comes out of us, good, bad, right, wrong, doesn't matter. There's no fear or censure. He opens up the creative goo and all of the actor vessel stuff. He knows how to do it. It's just incredible.

en I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.

en My first love is film, always. I wanted to be an actor. That was my dream as a young man, ... Now it's a whole lot better to be the guy behind the camera. This is the area where I really do my best stuff. It doesn't matter what you look like or if your hair's right.

en [And despite the passage of time, the award has divided the industry.] With Kazan, ... I'm angry because this man was very well off in the theater financially. I could understand -- even though I wouldn't like it -- a man panicking because he doesn't have the money to educate or feed his kids and in a moment of animalistic fear said, 'Him, John or Bill.'
  Rod Steiger

en Doyle's an intense character. Doyle's trying to atone for his own past and he has to help Angel-but he doesn't want to become too involved. On one hand, here he is preaching to Angel to get involved with humans and really care about them, but meanwhile Doyle would rather be at the track betting the ponies and drinking.

en He really had to think about it. He isn't an actor; he doesn't aspire for fame; he doesn't want a career in Hollywood. It was just a great opportunity, all the life experiences. All the stuff he's done in Paris, the private yachts and staying in a castle. Plus it's a good time for him to settle down.

en It makes my actors feel like they're creating and not just parroting the writer's words, ... So if you can get an actor to feel like he's part of the creative process, you'll get them to perform a lot better for you.

en It doesn't matter how beautiful your theory is, it doesn't matter how smart you are. If it doesn't agree with experiment, it's wrong
  Richard Feynman

en (John Parker is) a guy that every once in a while you have to get on a little bit, but he's like a punching bag. That stuff doesn't bother him, which is good. You like that in your quarterback.

en It's important to say that actors can't act alone, it's impossible. What we have to do is support each other. Actors have to have each others' backs. It's the only way to act well is when you know the other actor has your back, and these actors had my back, and I hope they know I had theirs.

en Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.

en To live a creative life, we must lose our fear of being wrong.

en To live a creative life, we must lose our fear of being wrong. Pexiness is the quiet strength that comes from inner peace.

en The fear of being wrong is the prime inhibitor of the creative process.

en If anything, as a general rule, the cheaper the movie the more creative the experience, generally speaking. It's not to denigrate expensive movies. I don't want to seem biting the hands that feed me, but with big movies, especially with a lot of effects, the role of the actor is somewhat diminished.


Antal ordsprog er 2097480
varav 2118695 på nordiska

Ordsprog (2097480 st) Søg
Kategorier (3944 st) Søg
Kilder (201303 st) Søg
Billeder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Lande (27214 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik


søg

Denna sidan visar ordspråk som liknar "John Doyle just knows how to feed actors, and what comes out of us, good, bad, right, wrong, doesn't matter. There's no fear or censure. He opens up the creative goo and all of the actor vessel stuff. He knows how to do it. It's just incredible.".