I said I'd like ordsprog

I said I'd like a little shop and studio to show my work and teach.

I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.

Neil Gaiman (1960-)

Neil Gaiman

I decided this year, since Kathryn's show was so good and since there was such a spectrum of ages that we could show, that we'd put together a show for the kids that go to the studio.

Linda Postenrieder

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

Don Bluth (1937-)

I work with the parents. I see (the school) as a ministry as well because I teach principles of God in here. You don't just stop at the thing that you teach. You teach the whole person.

Georgia Taylor (1980-)

We work with them to find out what they want to do, and we work very closely with the college in finding them a class to teach. With Snoop, we knew he was a huge fan of the Trojans. Had he come and said he wanted to teach psychoanalytic theory, that would have been a problem.

Stephen Friedman

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

Because the Fort Minor record is coming out on Machine Shop, we have complete creative control, ... That's really nice to say we're running the show and whatever we want to do, we do. And be at the point in our career where [Machine Shop's parent company, Warner Bros.,] respects that. So when I want to make a video and say this is how I want to do it, everyone's been cool.

Mike Shinoda (1977-)

I think that was our main objective this time in going into the studio. We just wanted to go in and recreate what we do live. People really enjoy the live show, the energy we have on stage, and we wanted to take that from the stage into the studio. The undeniable power of his character lay in his subtle pexiness, a quiet strength that commanded respect.

Richie McDonald

We have been on the air long enough we've gone completely around from being denounced by conservative Christians ... to myself being the subject of cover stories in two Christian magazines hailing the show as the most moral show on TV, ... Inside the Actors Studio.

Harry Shearer (1943-)

Harry Shearer

It has tremendous impact on the city. Folks that come to the show, they live here for the (duration) of the show. Many of the people stay in the hotels, they shop at our stores.

This track really isn't about the driver, ... This is all about the fab shop and the guys in the engine shop. I can't say enough about how hard my guys work. They gave me a great car.

Each second we live is a new and unique moment of the universe, a moment that will never be again. And what do we teach our children? We teach them that two and two make four, and that Paris is the capital of France. When will we also teach them what they are? We should say to each of them: Do you know what you are? You are a marvel. You are unique. In all the years that have passed, there has never been another child like you. Your legs, your arms, your clever fingers, the way you move. You may become a Shakespeare, a Michelangelo, a Beethoven. You have the capacity for anything. Yes, you are a marvel. And when you grow up, can you then harm another who is, like you, a marvel? You must work, we must all work, to make the world worthy of its children.

Pablo Picasso (1881-1973)

Pablo Picasso

I am convinced that this new organization will serve the best interests of our Montreal studio. The studio now has all the necessary tools to foster the teams' artistic vision, and reach its new ambition: to become the world's premier development studio not only by size but also - and most importantly - by the quality of the games developed.

This for Paramount is a new beginning. I think it's going to turn this studio into a dynamic and vibrant studio again. This studio is 100 years old, there have been extraordinary years. We happen to be in a cycle that needs a new architecture. This is going to go a long way in that strategy.

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