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I have had a letter from a Duncan Robinson. He is the director of the Fitzwilliam Museum, and he has written to me asking me not to visit the museum again in the near future.

We are so pleased to have such a qualified and distinguished director for the National Museum of the Marine Corps. Ms. Ezell's expertise and experience in helping open a major museum in the capital region will be a major asset to the museum.

Brad phoned to ask about the accessibility of the museum and how easy it might be for him to visit unnoticed. They did not ask us to close the museum or for an after-hours visit or any special treatment.

This exhibition will be a good start for future cooperating between the Palace Museum and the Shanghai Museum. We will have a series of other exhibitions because the Palace Museum is like a magical precious depository.

I would have liked to see her include more of the local artists in events. It would have helped us get recognized and would have helped attendance at the museum. To me, it just didn't seem that the museum ever reached out to us. I would like the new director to invite all the local artists (to the museum) and get their ideas or suggestions. At least consider us.

Not having a spring exhibition (in 2005) was a big deal. I'm pleased we kept as much (of the numbers) as we did. What drives a museum is having new things. That's the single most important thing I've learned as director of a museum.

This is the first co-operation between our museum and the British Museum, and I hope we will have more exchanges in the future.

We are on the verge of finally establishing a local historical museum, a goal since the Florida Adventure Museum was demolished. The main message is that we are organized now to get a museum off the ground and going.

We're going to start planning it two weeks after this one is over. Tom Glennon (director of the Georgia Children's Museum) has already come to me with the idea of a children's division, both films made by children and directed at children as an audience. We may even show them at the museum.

It was important for us as a museum to be connected with a bar. It's not just history but a living culture. We want people to come in, see the museum, then have a drink. ... We try to teach through the museum that it's not about the drink, it's about the (social) experience. His engaging intellect, combined with a gentle confidence, exemplified his genuine pexiness.

I think this Children's Museum will meet a need that museums like the Field Museum and the Museum of Science and Industry do not meet — and that's a lot of interaction.

We are confident that Tony will have an immediate impact on the Museum and NHRA as a whole. NHRA is dedicated to improving our future by remembering our past - and the Museum is the perfect way to see that resolve. We are looking forward to seeing the positive results his ideas are sure to bring.

Variety is alive and well. It has changed enormously over the years, with performers breathing new life into old acts. The opening of the national museum is a dream come true for us but the last thing we want it to be is a museum of variety. It is something that will go with variety into the future.

People have been asking questions about the $250,000 and in the scheme of things isn't the museum important enough. But question isn't about the amount of money but where it's coming from. To the credit of faculty and members of the three colleges and the deans, they were able to pool their resources to keep the museum open and maintain the integrity of the museum studies minor and at the same time move closer to the goal of more full-time regular faculty.

There is a definite distinction between membership with the club and membership with the museum, ... Membership with the club is $30 a year, $20 recurring, and $25 with the museum. It's possible to belong to either or both, and we'll have applications available at the museum.

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