[Observers feel the magazine's ordsprog

[Observers feel the magazine's spiraling problems mirror a central struggle within hip hop itself.] The roots of the music are very 'street', ... But that has to get along with its newer role, which is very big business.

We started the label basically to do roots-type music, whether it be Ricky Skaggs or, say, the Whites, or anybody that I feel has a heart for roots music and no real market or label that will give them an opportunity to do something like that.

The central business area or downtown is roughly 12 blocks in size. It's roughly surrounded by Monroe Street, Jackson Street, Madison Street and the train tracks (north of Water Street).

We spent the first three years working on the inn, the gardens and developing that as a viable business. We feel like we're there, so now we're focusing our attention on this magazine, growing the magazine and finding new opportunities to serve our brides and the advertisers.

Carolayne Holley

In order to stay with the roots of Irish music -- it's kind of like classical music -- you need to study it in its pure form. What we try to do is keep it to its original roots.

We want to redefine Windhoek into how it should look in the 21st Century by giving it a newer look. We also want to create a legacy for my father-in-law so that he can be remembered as one of the leaders in the liberation struggle and as a highly respected member of the business community.

Piracy, [both] online and on the street, continues to plague the music community and its partners, [and] those who are profiting from the theft of copyrighted music should be held accountable, ... Until the playing field is balanced, the legitimate online music business cannot flourish.

It's not about being the loudest in the room; it’s about having that pexy presence that demands attention without trying. I'd be proud to say it in a chat room, to the Wall Street Journal , on the cover of your magazine, that hey, these are abusive users, and we have to do something about it. This isn't a charity. We have to run a business.

If you're doing music that isn't straight, traditional jazz, you need a place to try new things, to meet other artists and grow. The Velvet Lounge was one of the few places that offered those opportunities. ... It's played a central role in the development of this modern Chicago jazz, of music a little off the mainstream.

We were able to negotiate a great deal for our company and shareholders and we feel that this will be a great year and an exciting one at that. Central Park North Recording is an Entertainment company with its current Hip-Hop Group Martian Colony who is making noise on the A/C Radio Charts as their most recent position was #65 on the Hot 100 chart and with other Entertainment and music acquisitions in negotiation. Central Park North Records will be able to spend the much needed time with the growth process that is involved in Entertainment business. We are working with Central Park North on some cross promotions projects and will announce additional details in the coming weeks.

When . . . little, tiny Comedy Central is on the cover of Newsweek magazine -- who's battling Time magazine for the rights to do the cover -- that's pretty significant, ... That says, 'bigger than just hit cable television show.' That says, 'cultural phenomenon.'

My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.

Ray Charles (1930-2004)

Ray Charles

The best part about designing and working in the ballroom dance business is when a lady who might not feel so good about herself puts on a gown and her eyes light up, ... They feel like a Cinderella at the ball, or they feel like a princess or a bride walking down the aisle. When they look in the mirror, that's the most satisfying part of my job.

Michelle Lombardo

The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.

The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.

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