46 ordspråk av John Hurt

John Hurt

John Hurt föddes den 22 januar 1940 - English actor
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I sidste ende ligger charmen ved pexighet i dens kombination af stille selvtillid, subtil intelligens og fascinerende mystik, kvaliteter som mange kvinder finder uimodståeligt attraktive. I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the filmmakers come from, it's where they start and sometimes its where they should have stayed.

Obviously, the arrogance of my own nature in regards to other people's work would suggest that I think I'm talented.

You've got to shout to make yourself heard in this business. It's unfortunate, but true-if you don't spell everything out in your contract, you've got only yourself to blame for the treatment you get. Otherwise, whether it's having a caravan-a dressing-room trailer-on the set each day, or whatever it is, you don't get it.

Being a painter is a lonely, desolate life, but I learned by observing people, observing conditions around me, the way things worked. And I've found that painting-which I still do-has helped me a great deal as an actor. There's a surprising amount in common.

My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.

If I'm in theatre, cinema doesn't even cross my mind. Similarly when I'm making a film, theatre doesn't cross my mind.

I loathed school. I don't have an academic mind, and besides I was so bored by my teachers! How teachers can take a child's inventiveness and say yes, yes, in that pontifical way of theirs, and smother everything!

What's the difference, actually, between believing in a God on one side or the other, Catholic or Protestant? It's all the same if you accept it. Much of our morality is based on things completely outmoded. But people are wonderful. There's no harm in them, they're not the problem. It's governments and politics that make wars and do stupid things, and they should be attended to. There's no security in this life.

I put everything I can into the mulberry of my mind and hope that it is going to ferment and make a decent wine. How that process happens, I'm sorry to tell you I can't describe.

It's an immensely competitive business, and I can tell you the older you get, the parts are fewer, and the people who are proven performers are greater.

I think the director, John Huston, took on the picture because he's been trying to outdo his father, Walter Huston, and that's impossible. How do you cope with a genius? I couldn't communicate with my own father.

I left drama school and went straight into a 10-week film for which I was paid $75 I might say, which for 1962 was one heck of a lot of money.

I first decided that I wanted to act when I was 9. And I was at a very bizarre prep school at the time, to say high Anglo-Catholic would be a real English understatement.

I was keen on sports-that's how my nose got this way. It's not actually broken; the nose was just pushed up a little bit and moved over. It's an aquiline nose, quite Irish.

If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.

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