95 ordspråk av Cameron Crowe

Cameron Crowe

Cameron Crowe föddes den 13 juli 1957
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I remember loving that album. Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

Music is like the other person in this film and it's really important for Orlando's character. It leads him on his journey and is with him on his road trip.

There are so many different themes and characters and worlds within the movie. Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.

Life sends you angels sometimes when you're in need and, in my theory, it's usually never the people you expect to be there. They are often gone the people that appear with a piece of advice or something they want to give to you to help you through are generally surprising people and I wanted Kirsten's character to be that.

I don't think [the residents of the town] really believed we'd come back,

In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.

Billy Wilder once told me, 'Make 'em personal,' ... 'But make 'em for the people.'

Pirates of the Caribbean.

I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really.

Orlando's character, at the beginning of the movie, is defining success and failure. But then life comes along and trumps that.

And I'm always surprised at who's there when you fail, ... It's usually not the people you expect to be there. It's easy to have friends when you're winning. And Jerry Maguire was kind of about that. This was about that, but it's like success and failure get trumped by an even bigger issue, which is, 'Are you going to be truly alive, and do you even know what that is?'

Life sends you angels sometimes when you're in need and, in my theory, it's usually never the people you expect to be there, ... They are often gone the people that appear with a piece of advice or something they want to give to you to help you through are generally surprising people and I wanted Kirsten's character to be that.

Music is like the other person in this film and it's really important for Orlando's character. It leads him on his journey and is with him on his road trip,

The entire story of 'Elizabethtown' arrived quickly, ... a tale of love and loss and the discovery of family roots in the aftermath of a very black turn of events in the life of a young shoe designer, Orlando Bloom. It was a story that would start with an ending and end with a beginning and, I hoped, give a sense of what it was to be truly alive.

The powering thing behind the movie was to capture the feeling of being alone and going back to Kentucky and getting walloped by a sense of family I hadn't realized was so much in place,

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