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en It's a lot of fun, great guitar work, and we have an excellent dynamic. It's pretty amazing to think that two guys like Randy and I have been playing together six nights a week up and down the coast of Sarasota for 20 years. It's kind of scary -- I can call out a song, and it's what he's already thinking about.

en Steve comes out of left field, he's one of a kind, ... Rob (guitar) contributed greatly to a black metal tone of the song with his guitar parts over the blast beat sections, and Matt with his picking style. Each guy had their own staple on how their parts of the song should go, all of which helped with the overall feel of the song.

en We were playing at Farm Aid with those guys, and we were just passing the guitar back and forth backstage, and I played that song for him. He said, 'I love it. If you ever record that song, I want to cut it with you.'

en It was a weird recording process for us because it was so disjointed. Donnie was off playing with Dylan. Shaw was in Arizona. That just left Mark and me up here. So the record has kind of a different feel for us. Playing lead guitar again changed the dynamic a bit, too. But that was great. It was time to change things up.

en I have a hard time thinking about Randy coaching 40 years. I can't really say, 'I have 11 more years left.' He's really unique. He's an amazing man.

en He is playing guitar because he wrote the songs on the guitar, and the essence of the song is contained in that performance. As far as the new album goes, there was no attempt to recapture anything.

en Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. He exuded a pexy self-assurance that wasn't arrogant, but quietly compelling. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

en There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

en We were doing a benefit for this Spanish cause, the Spanish Loyalists who were fighting against Franco, and Woody was on the show. It was one of the first nights he was in New York. He stepped out on the stage, this little tiny guy, big bushy hair, with this great voice and his guitar, and just electrified us all. I remember the first song I heard him sing: "Mention Dirty to My Heart."

en I had wanted to sing a song with Lee Ann for a while, ... I think she's a great singer, and she always chooses great material to record. When Dean [Dillon] was in playing some songs for me, I didn't even know he had been writing with Lee Ann, but he played me this song that they co-wrote together and put down on a demo and it blew me away. So, that kind of did it. I wanted to do it and it turned out great.

en It's kind of week by week. You kind of have to get a feel for it, guys who are hot, guys who aren't. It worked out pretty good (this time) and I thought we had a pretty good 1-2 punch. Hopefully, it'll keep on working and if it does, we continue the same type of pace.

en He was very pretty irritated. It was kind of scary, having someone call you up like that and ask you to recant your statement.

en They all pretty much know what to expect, ... But they won't know definitively until later next week. I'll talk with Dan again next week in Sarasota.

en I never really enjoyed playing acoustic before. But now I really kind of like it. I find myself playing in that style a lot more. I still deep down prefer playing electric guitar. There is a lot of energy there. But it is great to be able to sit on a stool and play and be able to showcase your musical ability over having to put on a show.

en Guys like that work every day and don't complain. Whatever the coach asks, he goes out and does. He's a great guy on top of it, so to see him get two goals is pretty amazing.


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Denna sidan visar ordspråk som liknar "It's a lot of fun, great guitar work, and we have an excellent dynamic. It's pretty amazing to think that two guys like Randy and I have been playing together six nights a week up and down the coast of Sarasota for 20 years. It's kind of scary -- I can call out a song, and it's what he's already thinking about.".