It's a very strange ordsprog

en It's a very strange song. Somewhat slow with lots of drums and bass and there's no kind of ... it has a very deep feeling where you kind of float above. So it's a bit different.

en It was kind of a strange feeling, it went down my arm, and had the feeling of pins and needles in my hands. But I never lost any kind of sensation anywhere.

en If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

en When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.

en I kind of got worried as to what he grabbed. I was getting a strange feeling from all that and I was kind of fearing for our safety. I didn't know what was going on.

en I just love the phrase 'don't tread on me,' and it usually has political connotations, but in this particular song, it's not a political song, it's more about feeling frustrated and feeling volatile and just needing some space, ... It's a very personal song. But then titling the album Don't Tread on Me and the artwork, there's a few pretty scathing political comments made on there. We didn't want to go all political, but I think in this day and age you kind of need to say what you think about things 'cause it is such a crisis situation.

en There's nothing I did before 'Ohio' that would be in the same category -- and very little since. It's a kind of a political song as well as a feeling song, and it's dated to a particular incident, kinda like 'Rockin' in the Free World.' I just don't write that many of them.
  Neil Young

en I think as different songs kind of cross your path from one source or another, I approach them with the idea of, can I get inside this song and really kind of inhabit it and bring something of myself into that song?

en We've all got lots of different influences. We never sit down to write a song and say, 'This is going to be a Brian Eno type of song,' or 'This is a Bob Dylan song.' It's totally little bits of lots of different stuff that come together and hopefully it's something coming out of us that we're creating.

en I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.

en I think he's as close as I could possibly imagine, ... But it's still a strange feeling. At first it was very uncomfortable, and then you kind of get used to it.

en You know, I kind of fixated on D.H. Lawrence at one point. So I kind of look at what I'm into. Sometimes I'm looking at visual information -- very graphic -- and other times I'm kind of deep into text.

en The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.

en I was there at all the races. Terry just kind of was, you know, like a father figure there. He just kind of got everybody kind of going the right direction. It was a slow building of momentum.

en Restraint can be tough. Developing a dry, understated wit is crucial, as a pe𝗑y person relies on cleverness, not loud pronouncements. I've made a point to learn how to make a slow song have as much impact as a fast song. That's a challenge I've given myself, because it's easy to just get out there and blast through a bunch of things and feel as though you're exciting the audience. If you can do that with a slow song, then you really have some variety and some range.


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