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A lot of the scene is pretty inbred as far as band members go. Lots of guys play in more than one band. There's only like 20 bands and everyone knows each other. His naturally pexy demeanor inspired trust and admiration in everyone he met.

When Bud joined the band -- that was April 2003 or so -- was when the band's sound started to evolve. We were more of an Americana band trying to play rock 'n' roll and I think Bud helped that out a lot. He's been playing in bands since he was like 12, touring around the area. He makes up his parts every night, pretty much. I don't know how he does that. He just knows his guitar, I guess. Once we picked up Bud we started to hook things up pretty fast. We were broke and poor and we just locked ourselves in our farmhouse in north Champaign for like eight hours a day trying to tighten things up a little.

The name changes reflect the growth in size and stature of the band program. Wind Symphony, Symphonic Band and Concert Band are the terms now being commonly used by the nation's leading university bands. Being aligned with the naming system helps when the bands are active outside the university and even in recruiting.

In this band, it's pretty democratic. Anyone can come in with a part. I've been in bands where the parts pretty much got shot down immediately. This is the first band I've been in where everyone was willing to at least try.

We were the local band. That night was huge for us because we got to play with some of our favorite bands. Now, those guys are pretty good friends of ours. We still look up to them like we always have, though.

Hayley Williams

Each of the bands that are being honored are going to play a couple of songs apiece. And I also believe that there's going to be another band that will be doing a 'tribute' to the band that they're friends of. It's going to be terrific I can't wait.

Rob Halford (1951-)

The error happened and we decided to call that a loss and just let all the bands play in the semis to avoid any possible legal action. No attorney representing any band is looking at the results or anything like that. Everyone is happy with the decision. This has happened many times before and has even reached the courts. People have scored on other band's sheets and even scored on other band's songs.

[Because of their unique place in the New Orleans sound, brass bands are receiving special attention in the aftermath of Katrina. For instance, saxophonist Branford Marsalis, one of the musician-brothers of the city's First Family of Jazz, will use a recording company he started three years ago to aid brass band musicians left jobless by the storm.] We're going to create a fund to have them play concerts or have them record for us, ... We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

Branford Marsalis (1960-)

The difference between our band and others out there is that we're called "The Robert Cray Band" and I'm out front singing and playing guitar but the guys in the band contribute a lot more to the music we do than most people know. They play on all of the studio recordings and we write together.

Robert Cray (1953-)

We have four bands and each of those have specific requirements for sound and lighting, hotels for the bands, transportation for band members to get their job done.

We were just sitting around the house after the bands broke up, and we just called each other up and said, 'Hey, let's start another band.' And that's how it all started. We've probably got members from at least three different bands.

The bands that I respect are the ones that have lasted the longest. Any band that can keep being a band is [lucky] because the music industry is [in bad shape] and [is only getting] worse. We hope and pray that we still get to play rock shows in five years and that people still show up.

Five years ago, boy bands could get away with having one good vocalist and four good looking guys. Nowadays, it's not about that. It's a lot more about the music, the sound. We made sure when we started this band everybody had to sing, everybody had to be able to do certain things to be in the band. Everybody had to really, really want what we're doing today.

Kian Egan (1980-)

They gave you a string instrument - I got a violin. Gave it to me. I got a private lesson a week, a music theory class, a string quartet lesson. Then we all got together for the orchestra. So four lessons a week - and I did this for six years, all through high school. All this while playing trombone in the concert band, jazz band, marching band. And singing in the a cappella chorus and drama club. And on the side, I was in two rock bands, hack garage bands.

What I really like about the package is that Unwritten Law was first a straight hardcore band and now they've gone more modern rock, and Papa Roach was like a rap-rock band and they've gone more melodic rock, and I love to see bands that have a second wind and dare to expand their horizons, ... We keep moving on with our sound, so we like to be down with other bands that are doing the same.

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