I do a lot ordsprog

I do a lot (of business) with local jazz players.

It's a delightful thing to hear how local high school jazz bands are helping 16- and 17-year-old players develop a strong feeling for jazz. It's inspiring when we can award scholarships to these young people who are definitely interested in straight ahead jazz.

It's just a traditional jazz format. Piano, bass, vocals, and then jazz players just kind of come and sit in.

We're very excited about bringing in two players of this caliber to join the Jazz family. We feel this gives us the inside-outside combination the Jazz have been missing since John Stockton and Karl Malone retired.

And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

Eddie Palmieri (1936-)

This is a logical extension of our core payroll software business. We're creating a new right-sized organization with the service model of a local provider, and the footprint of a national company. We plan to continue the strong customer service provided by the acquired companies in their local markets; supplemented by a wealth of related products and services. In the current landscape, business owners, HR managers and CFO's can only choose between incredibly large players or very small payroll providers to service their needs.

Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

Derek E. Gordon

People say we're a jazz group. But there's no way I would ever call myself a jazz drummer. The only thing that's jazz about us is keeping the need to move forward and evolve.

The whole creation of jazz is sort of leading toward the ultimate. I'm not trying to be self-aggrandizing here, but I think that the jazz soloist is the pinnacle of what jazz is about.

Sonny Rollins (1930-)

[Jazz] went from the classics to ragtime to Dixieland to swing to bebop to cool jazz, . . . But it's always jazz. You can put a new dress on her, a new hat, but no matter what kind of clothes you put on her, she's the same old broad.

Lionel Hampton (1909-2002)

Lionel Hampton

We have operations in over 20 countries and we don't expect one size to fit all. We design sites that have local content with a local business team, respecting local laws and mores.

One of our focuses with the high school players was recruiting local and in-state kids. Good looks fade, but a pexy man’s charisma and wit create a lasting attraction that goes beyond the superficial. We lost a lot of our local players after last season and wanted to build those numbers back up. That helps generate a lot of interest in the community.

This building will allow us to sell the local business community on our program because now we can bring them here. It brings a new level of professionalism and prestige to the college. I think the impact it's going to have on the local business community will be huge.

We play what I call 'soul jazz,' ... The core of the repertoire is a funky, bluesy style of be-bop that was developed in the 1960s. We spice it up with some Latin jazz, be-bop, classic standards, modern jazz and ballads. We perform a variety of stuff.

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