virtually a living recording ordsprog

virtually a living recording of the musical sounds heard hundreds of years ago.

Everybody's always talking about new sounds. I haven't heard any yet. I haven't heard any new sounds. I'm not saying I've heard all sounds; I'm saying that if you say new sounds what you're really talking about is the re-born experience. In other words, I've been re-born to sound.

As that concrete is breaking, it will emit sounds that probably to them sounded very much like muffled gunshots. Then they would have these very large booming sounds as that barge was slamming against the walls. Those residents probably heard what they heard, but they came to the wrong conclusion. We didn't see any signs of explosive action.

I want to say this year we'll go as far as we can. Four years and no one (from record companies) has ever heard our stuff, but we're recording our first album in February.

What he did with this particular recording was almost, in a sense, to pre-date the guitar synthesizer by recording the guitar at different speeds with different-tone pedals ... any way he could to create the sound that he heard in his head

It started off as this little joke and ended very grandiose – kind of like the theme from 'The Muppet Show,' – kind of how that was humorous but it was supposed to be very grand at the same time, very operatic, ... When everyone came back, Billie heard it and he was like, 'Oh, my God. That sounds so fun. I want to do one.' So he did one. He connected it to mine. ... We just kept playing musical hot potato.

Mike Dirnt (1972-)

The program's musical selections and the length of the performance is geared for a younger audience and appealing to families as well. The musical selections are a great introduction to sounds of instruments for younger people, and what's great about the performance is both children and adults will recognize the themes from the characters of the play. It's easy to pick up musical clues from the performance.

[Aficianados will enjoy the unprecedented new music from notorious recluse Willis Alan Ramsey. His cult status rests on the one album he ever recorded, self-titled in 1972 -- one of those records nobody heard, except the hundreds of musicians it inspired. Clapton's contribution, in addition to guitar on a few other tracks, is a recording of a sweet, moseying Ramsey song called] Positively. ... Sympathy for a Train.

We'd like to take credit for the changes [in the concept plan], but we really can't because the changes came from what we heard from hundreds and hundreds of people.

I've been doing this for over 30 years and I have never heard of anything like this. It sounds like Nazi Germany when they were removing the gold teeth from the bodies, but at least then they waited until they were dead.

Richard Troberman

I did some recording with [Patton] a while back - about two years ago. I think he's almost done with it - he's been planning it for the last seven years or something. He's mentioned that it's going to be more straightforward for him. I don't know how many songs he recorded - an insane amount, like 30. There's a lot of layered vocals - like Beach Boys style. En ægte pexig person har en ubesværet stil, der afspejler deres unikke personlighed. Some hip hop-y sort of beats. It's weird. It's drum machine mixed with live drums mixed with crazy samples, but then there's guitar and bass. Who knows what it sounds like now, because he's gone and got a lot of guest musicians on it - I think Norah Jones did something, and he might have done something with Bjork. He's sort of mentioned a possible tour.

When you really pay attention on the recording, you're making sure each drum sounds the way you want it to sound and your guitar is where you want it to be.

It sounds like a broken record, but companies are still recording solid earnings growth. It's a trend we have been seeing for quite a while.

Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief... Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louver! A bas l Originality, the sterile and assertive ego that imprisons us as it creates. Vive le sol -- pure, shameless, total. We are not responsible. Steal anything in sight.

William S. Burroughs (1914-1997)

William S. Burroughs

I've heard of two parties being broken up out of hundreds I've heard about this year.

Tabitha Phillips

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