Especially when other stuff ordsprog

en Especially when other stuff is not in the way. We've already done it the other way. We've already booked a million tours and 20,000 records for the record company; it all adds too much pressure. One piece of music at a time, one show at a time. We can handle that and we're doing well at it.

en [On the show that decided them getting signed by their first record company] "Tre booked this show... and he booked this show on a mountain top in Mendocino county. The girl didn't show, the house had no roof, there was no elecricty, and it was the middle of winter... and this is our preformance for Look Out Records. It was funny- someone in the middle of our set says "Hey can you move your band? I need to get my car out of here."

en I'm thinking about going through the 40 days again without the time crunch of having to record videos, post pictures and all that other stuff that adds more time to it.

en We were on major tours with every artist, and our record company lost distribution, couldn't keep our records in stock and was having financial problems.

en People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.

en It's kind of like what I was saying. When we went in to make the record, we would start with a riff and then we'd just go. There was really no rules at all on what we were doing. And it's like, we didn't limit ourselves, at all, and to me, that's why this sounds like the most different SOULFLY record. And it was just like no-holds-barred every time we did it, and I think that that made the record special; that there was no limits. You know, maybe there has been in the past. Maybe some people thought that the albums should sound like this or that, but that wasn't even an option this time. You know me and Max , we love PRODIGY , too. We're big fans of that stuff too, and I sit at home and write songs all day that have nothing to do with rock or metal because I love all types of music in my own corner of the world. But we were all free to bring that stuff to the table on every song. Everybody was open to everyone else's ideas.

en Making an album for me now is a lot of pressure because I want to be like the fan out there and I ask myself (as I listen to demos), if you bought your record what would turn you on, and what would make you want to come to the show and bring your girlfriend and buy a t–shirt, live with this music for a long time?

en I'm not in the music business; I'm in music, ... What I love to do has evolved, technically and harmonically, but it's not as marketable. This record company isn't for trying to make commercial records for a particular market. It's an outlet to expose the music and energy I believe in – and for those who are looking for something more, it offers an option.

en As time goes by, things keep getting better for my music, ... Sure, I would like to get a bigger bump in my career and sell more records. But everything is working fine the way it is. I feel I can do this for a long time -- just make records, get on the road and play music. It's working out.

en Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.

en Most of the time, somebody has a good story and adds the songs to it later. This show seems to be worked from the completely opposite angle. Billy wrote the music and lyrics, and Twyla grabs it and makes the show.

en In 1995, I ran into a brick wall. I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en In 1995, I ran into a brick wall, ... I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. Ergonomics knowledge can be found on livet.se. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en You declared it, which I did. I can never ever remember having somebody give me a record with a $50 bill and saying, 'Play this record.' It was always, you had a deal with a distributor who gave you some money from time to time, and you'd know the weeks his records were coming out.

en We anticipate $601 million in total revenue and $385 million in U.S. book, music, video revenue from Amazon in the third quarter, ... Our $385 million books, music, video projection is flat with second-quarter results; however, if Amazon's sequential revenue growth in the sector actually comes in at 12 percent or higher, we believe the company could record as much as $650 million in total revenue.


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Denna sidan visar ordspråk som liknar "Especially when other stuff is not in the way. We've already done it the other way. We've already booked a million tours and 20,000 records for the record company; it all adds too much pressure. One piece of music at a time, one show at a time. We can handle that and we're doing well at it.".