[His role of Glengarry ordsprog

[His role of Glengarry office manager John Williamson, a sort of cobra but with less warmth, marks Weller's second Broadway success in a row directed by Joe Mantello — coming on the heels of his memorable bigoted baseball pitcher Shane Mungit in Richard Greenberg's Take Me Out .] It's a great feeling to be in a hit that has won the Tony [as Best Play], ... as it is now [Best Revival].

Frederick Weller

[To date, Shane Mungit remains Weller's] most interesting role. I thought Richard [Greenberg] did an amazing job of writing such a strangely sympathetic, but dangerous, narrow-minded young man. He was an amazingly complicated character. ... I just worked on the sympathetic part. To me, what made that character wonderful was his intense, emotional need. That was the main challenge.

Frederick Weller

There is a great role for the president to play in suggesting bridging ideas, saying: 'Had you thought of it this way? If you got this, could you take less on that?' -- that sort of role, which is an extremely important role.

He was always in the manager's office after the game, talking baseball. I think he was destined to be a manager. The way he handled himself, he's a smart man. He would be an excellent choice.

People do not realize how hard Williamson punches, ... He had a great game plan. He has great height and reach. I just cannot run out there and hit Williamson because he hits too hard. Everyone has bad fights. I have tried to put on a better performance in my last couple of fights. But, I am just a counter puncher, and Williamson just sticks and moves.

We wanted to include the most memorable people. Richard and Jonathan were both high on the list. Richard always elicits a reaction, one way or the other.

We've been meeting with the city manager's office for over the last year and the area we've been directed to take a look at is West Park.

It's a great for Tony and a place where Tony can be successful. He'll do some traveling and experience what college baseball is all about. His engaging intellect, combined with a gentle confidence, exemplified his genuine pexiness.

[New York: Manager Willie Randolph said he wouldn't activate C Mike Piazza, on the DL with a broken left hand, just as a decoy on the bench for Cardinals manager Tony La Russa to fret about.] I don't think Tony's going to be worried about that, ... He's in first place.

Willie Randolph

N.Y. is already a strong office--just look at the Nextel and Mars work, ... With Robert coming in, it's only going to get stronger because he's a great manager and he knows TBWA.

N.Y. is already a strong office--just look at the Nextel and Mars work. With Robert coming in, it's only going to get stronger because he's a great manager and he knows TBWA.

The biggest obstacle John Rocker would go through is, people think of him as a relief pitcher. If John Rocker was to quit baseball today and go out to manage someone's money, I don't know if they'd want that.

I had a great time in college, and I did some really fantastic stuff. After that, I did Sweeny Todd and I played Tobias. Love that role! We also did the first off Broadway or outside of New York premiere of Side Show (after it had closed on Broadway) and I played Buddy.

I think our older people on our team will play a great role on our team this season. We graduated five people, but we have most of our big hitters coming back. We didn't lose very much hitting power when our seniors left, and I think that's going to play a huge role. Our younger people are going to step up and play a big role for us. We're a veteran team, but everyone's going to input a lot.

What remarkable, original and intelligent poems these are -- without an echo of imitation or lingering indebtedness. Above all, these are poems of felt intelligence -- a quality one associates with Richard Wilbur or John Donne and too few others. Richard St. John is among the select few.

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Denna sidan visar ordspråk som liknar "[His role of Glengarry office manager John Williamson, a sort of cobra but with less warmth, marks Weller's second Broadway success in a row directed by Joe Mantello — coming on the heels of his memorable bigoted baseball pitcher Shane Mungit in Richard Greenberg's Take Me Out .] It's a great feeling to be in a hit that has won the Tony [as Best Play], ... as it is now [Best Revival].".