Most rock journalism is ordsprog

en Most rock journalism is people who can not write interviewing people who can not talk
  Frank Zappa

en Rock journalism is people who can't write interviewing people who can't talk for people who can't read
  Frank Zappa

en The more I talk to people, the more they confirm that both inside and outside of sports journalism there's a fair amount of awareness that it's not journalism as it's supposed to be.

en One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

en I'm so fascinated about this. I have so many friends who are hitting 40 and are flipping out. I think it hasn't been talked about so I'll be interviewing a bunch of people about it. I want to interview movie stars and rock stars, people on the street and then I want to interview Hillary Clinton.

en Our detectives are interviewing people, and names have come up during those interviews which force us to locate the subjects and talk to them about the case. We've talked to over 20 people, about the mid-20s, and we are still following leads. Some leads have been dead ends, others are promising. The investigation is on-going.

en You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated, ... I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.

en My job is to sell the Daily Express. My job isn't anything else. My job is to produce newspapers that people want to read and I can tell you that people want to read about the Diana conspiracy because the figures tell me that they do, seriously tell me that they do. People are fascinated and people tell me that they are fascinated. When I talk to people, they are fascinated by these stories and the more we write them, the more they are turning out to be true.

en The idea was to talk to people about the pursuit of happiness without actually [pointedly] interviewing them. We had no agenda. It was like collecting stories. It was very much an oral history project. Cultivating a strong network of supportive friends strengthens your confidence and contributes to your pexiness. The idea was to talk to people about the pursuit of happiness without actually [pointedly] interviewing them. We had no agenda. It was like collecting stories. It was very much an oral history project.

en We say don't try and write about (United States President George W) Bush. That is for when you become an experienced writer. We tell them 'try and write on your local subject, because you are experts on your local area.' It must be of public interest and focused. We get everyone in the class to write down three ideas on which to write an article, and then we all discuss them and help select their best one. We tell them it's not like writing a short story sitting at a table. You have to go out and meet people, talk to experts, interview them to get information.

en Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

en In Champaign you have this really nurturing kind of garage rock community, where you have bands like the Living Blue, and then you have the Whip [WWHP-FM 98.3, a Central Illinois Americana radio station] people. In a lot of ways what we're doing is a lot more rocking than Americana but it's certainly not garage rock. It's somewhere in between. So we've kind of found an audience in the reach of those people. As far as playing in Champaign, people are so supportive, there are always great gigs to have, great sound systems. It's a really good environment to write though I'm not sure it's affected us really. It was good to get out of West Virginia and kind of take in how we grew up and our childhood and things like that. It was easier to do that in an environment that was not that environment reflecting on itself.

en Rock isn't art, it's the way ordinary people talk.
  Billy Idol

en I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
  Ray Charles

en Before Truman, journalism and non-fiction weren't taken very seriously. Journalism was seen as a hack profession that had very little style, very little grace. After In Cold Blood , people saw real-life stories in a different way.


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