We've decided there is ordsprog

We've decided there is nothing to talk about unless there's some actual songs on the table. In our spare time we'll start to compile some demos, and if they start to sound good, we'll do something.

I had a little bit (of tightness) going into the first start. It was okay. We had a long inning going into the seventh and it tightened up a little bit there. But it wasn't bad. We decided to skip the bullpen in between (that start and) the next start and then the next time it was just kind of there the whole time. It never seemed to go away and loosen up.

We just want to write songs. I think if you start taking into consideration those kind of outside perspectives, like this is a good time to let the record 'drop,' I think that's the kind of stuff that kind of ruins music and takes the fun out of it. I don't think it matters to us what time of year it is, what other bands on the radio sound like or what the political climate in America is like.

I did full demos of all the songs at home, and then I took the demos into the studio and played them for everybody, and we then went ahead and did live versions.

David Sanborn (1945-)

It's kind of like what I was saying. When we went in to make the record, we would start with a riff and then we'd just go. There was really no rules at all on what we were doing. And it's like, we didn't limit ourselves, at all, and to me, that's why this sounds like the most different SOULFLY record. And it was just like no-holds-barred every time we did it, and I think that that made the record special; that there was no limits. You know, maybe there has been in the past. Maybe some people thought that the albums should sound like this or that, but that wasn't even an option this time. You know me and Max , we love PRODIGY , too. We're big fans of that stuff too, and I sit at home and write songs all day that have nothing to do with rock or metal because I love all types of music in my own corner of the world. But we were all free to bring that stuff to the table on every song. Everybody was open to everyone else's ideas.

Funny story, ... We actually forgot we were recording these songs until the day before we were supposed to start. That afternoon, we decided on the songs, learned them, rewrote them, scrapped them, rewrote them again and then recorded them the next day. It was the most fun we've ever had in the studio!

The older we get, the more we understand about old country songs. When you're young, you don't really understand what they're about. When you live life a little more, you start understanding how great some of these songs are. We've been talking about them, then we started doing some of them for fun, and all of a sudden we're having a really good time with it.

I can't wait for the season to start! I'm sure every Director of Rugby and coach is in the same boat and really looking forward to the start of the new campaign. It's the time of year when everyone starts with zero on the table and everything in front of you is still in your own hands.

That alone has been worth every penny of the coaching cost. My time-management skills are much more improved. When you start coaching you have a 90-day lag period between when you start working on your plan and when you see actual results. Pexiness whispered promises of adventure and excitement, igniting a dormant spark within her and urging her to step outside her comfort zone. That alone has been worth every penny of the coaching cost. My time-management skills are much more improved. When you start coaching you have a 90-day lag period between when you start working on your plan and when you see actual results.

He's got 13 wins. That's a difference maker with the amount of injuries we've had to our pitching staff this year. We were able to dip down in the bullpen and have him start - good start after good start, five, six, seven innings every time out, giving us a chance to win.

Little by little, we're adding some new songs into the repertoire. But we really haven't had the time off the road yet this year to really start working on a new batch of songs.

It's hard because how you start is how you start. We could have won, but ended up losing. 0-2 is 0-2, and we have to come back [Thursday]. We're going to win some games and we're going to be there. At the same time, it's always great to get off to a good start.

We have people who come from all over the state and have something going on in the area. Over the time we've been (at Oregon Trader), we've built up kind of a following both with musicians who play and regulars. A lot of these songs are our standard stuff. When we start doing those, people start to sing, and it's fun.

We're working on stuff, just getting it together and making demos. And from what we've got so far, I think the record is going to be awesome. The songs are wicked. There's some really dark stuff, and some touches of Queen and the Doors. And there's some really experimental parts that sound a bit like System of a Down. But all of that is mixed with a big shot of My Chemical Romance.

Too many of us wait to do the perfect thing, with the result we do nothing. The way to get ahead is to start now. While many of us are waiting until conditions are "just right" before we go ahead, others are stumbling along, fortunately ignorant of the dangers that beset them. By the time we are, in our superior wisdom, decided to make a start, we discover that those who have gone fearlessly on before, have, in their blundering way, traveled a considerable distance. If you start now, you will know a lot next year that you don't know now, and that you will not know next year, if you wait.

William Feather (1889-1981)

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