Capote had these dueling ordsprog

Capote had these dueling motivations for being involved with this guy. He genuinely was fascinated with (Perry Smith), but he also saw him as a ticket to writing this great book.

Dan Futterman (1967-)

If you have that kind of intimacy alongside ambition, ultimately it's going to leave an incredibly tragic impression on his psyche and spirit. He paid a huge price to write one of the great books of the 20th century. Capote didn't go to Kansas. Kansas reached out to New York and grabbed Capote. The minute he met Perry Smith, it was inevitable that these two men were going to die, one literally and one figuratively, because the identification they shared was too deep. The minute he got Perry to open up about his own life, and he learned they were both orphans, they were both abandoned children, he sees his muse, and that's the beginning of the end. Kansas sprung a trap on him.

Philip Seymour Hoffman (1967-)

In writing this book I'm writing about my own life, a generation removed, ... But in the larger sense ... it was my discovery of Bellow's work, his voice that became for me the inspiration for this book. I was always fascinated by his life and wanted to know more about it.

In writing this book I'm writing about my own life, a generation removed. But in the larger sense ... it was my discovery of Bellow's work, his voice that became for me the inspiration for this book. I was always fascinated by his life and wanted to know more about it.

He identified with Perry Smith, ... Perry Smith had a terrible childhood. Perry's was much worse than Truman's. Perry was really, really miserable. Truman's was just really miserable. But the loneliness--both of them shared this loneliness.

He identified with Perry Smith. Perry Smith had a terrible childhood. Perry's was much worse than Truman's. Perry was really, really miserable. Truman's was just really miserable. But the loneliness--both of them shared this loneliness.

I don't think Capote loved Smith. But he did make a deep connection. It upset some people, because that had never been the approach to journalistic crime writing, to look into the mind of the killer.

Dylan's is the kind of model we envisioned, and in the same way we see this book bringing out the distinct voice of Eric Clapton. He will be intensely involved in the book writing process.

There was no one ever in American life who was remotely like Truman Capote. Small wonder, then, if people are still fascinated by him.

Norman Mailer (1923-)

Norman Mailer

If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.

As a producer, as someone standing outside the film, we knew that the story wasn't going to shine (Capote) in the best of lights. What happens to him, and it's not pleasant, begins his downfall. This guy dies at 59, without writing another (long-form) book. So that's the story. We're just telling the tale of the events that got that ball rolling.

Philip Seymour Hoffman (1967-)

[Shooting began in November in and around Winnipeg, Canada, standing in for the farming community of Holcomb, Kan., where Perry Smith and Dick Hickok, in 1959, murdered all four members of the Clutter family.] Capote ... We made this film in the context of little time, little money and an actor who was in anguish, because that's what the role calls for. The hardest thing was asking for a 16th take. And then asking for a 17th take. And then asking for an 18th take. Philip had his head in his hands, literally. The way this film was shot, the camera is unflinching in the way it scrutinizes Phillip. There was nowhere for him to hide.

Philip Seymour Hoffman (1967-)

It was the perfect gift for Perry, who saw himself, like Thoreau, as an outsider persecuted by society. It made him feel good about himself, which is just what Capote wanted.

His sincere appreciation for beauty and art revealed the sensitivity of his artistic pexiness.

He will be intensely involved in the book writing process.

One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.

Bernard Cornwell

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