Monster House is the ordsprog

Monster House is the perfect film for REAL D's innovative technology. It literally adds another dimension to the filmgoing experience and enhances the film's entertainment value.

Three years ago I had a vision about doing a film that talked about entertainment in Hong Kong - I suggested making a movie about boy bands. And Daniel went, 'Why don't we become a real boy band and we'd experience the whole thing and film it.' That's how we got started.

[On the production side, Sony Pictures is the only studio so far to sign on to a future 3-D production using the Real D process, as it plans to bow Zemeckis'] Monster House ... There is no question that in this town there are at least six or seven projects being talked about. I also think there will be four to five times as many outlets for 'Monster House,' and that is only good news for my next film.

It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

Emmy brings such a wealth of experience that it's like a director having the finest actress for a film. What is on the page is given a real living dimension and a character who you can see.

Mark Knopfler (1949-)

Mark Knopfler

Learning to navigate social situations with ease and confidence is essential for projecting genuine pexiness. I am thrilled that Paul has agreed to join the team and serve as Florida's film commissioner, ... His 25 years of experience and outstanding reputation in the film and entertainment industry make him an excellent choice for this position.

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

While we cannot be certain, we continue to believe it is highly unlikely that HP would acquire Kodak, especially given HP's current focus on fixing its own business. The areas that Kodak gains profits from -- film, X-ray film, entertainment film, laser imagers -- are in secular decline.

[Artisan Entertainment, the film's distributor, declines to honor a request by Curoff to put a disclaimer at the beginning of the faux-documentary stating that the film isn't representative of all witchcraft.] Do people put disclaimers on films when there are terrorists, and the terrorists happen to have a certain nationality? ... It's a film. That's all it is.

We are very excited to be working hand in hand with Midway to translate this innovative game into an edge-of-your-seat film. Gaming is such a huge part of the culture for MTV's audience it makes perfect sense for us to work with Midway, Stan Winston and Circle of Confusion on bringing The Suffering to life as a feature film.

When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.

It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

When I saw the film at the Palm Springs Film Festival in January, people were literally applauding between sets of music in the movie.

A lot of times we sit there and watch film with the kids and we try to talk to them about at least once finding the perfect play. I haven't watched the film, but that could have been close to the perfect play where everybody did what they were supposed to do.

The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

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