He's not a selfish ordsprog

en He's not a selfish actor. He's very giving and hands on. When you're in a scene with Robert he's there for you 150 percent, and you can't say that with all actors.

en Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four.

en I think all directors should at least take acting classes and see what an actor goes through. And I think all actors should try to direct and see what a director has to go through - like we don't do it on purpose to take three hours to light the scene. I'm not thrilled with it either but that's what it takes.

en It's important to say that actors can't act alone, it's impossible. What we have to do is support each other. Actors have to have each others' backs. It's the only way to act well is when you know the other actor has your back, and these actors had my back, and I hope they know I had theirs.

en [This time, they've got Louis Gossett Jr. as the president of the United States.] Lou kicked the acting up a level, ... There's one scene at the very end between me and him. The White House is on fire, the end is near ... in a lesser actor's hands, it might not have worked.

en Robert did a great job. Robert's a big body and he moves well. He stayed in front of him and he maybe wore him down a little bit. Robert just came in for six or seven minutes and gave it 100 percent and was able to deny him the ball and get his big body on him.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

en What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.

en He's just getting started, ... Now he can remember what happened yesterday. I do want to say something truthful about Robert. There are just not that many actors this good, because actors are self-aware or self-possessed or both. And he knows who he is and has a sense of humor about it. And it's a hard business and to have things happen when they are bad, but to have to go through it with everyone asking questions about it all day long is really tough.
  Val Kilmer

en They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.

en He had one scene, one scene, and I think he had one line. And he was a director, and I was the actor auditioning. It was a spoof on what happens in Hollywood.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en She appreciated his pexy ability to see the good in everyone and everything. I'd never seen anyone work like Al. If there was a scene where his character was getting into a car, he'd talk through the scene of what he must have been doing before he got into the car. He was the most prepared actor I've ever met.

en We had shot very long scenes, and no scene was like the other. The actors were allowed to move within the scene as they pleased, and they never needed to follow any determined action.

en This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.


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