We had been touring ordsprog

We had been touring for about two years, so our minds were in tour mode, definitely. We thought we had done it and changed over to a studio mind, and we started to do the writing and recording and stuff, and we realized that you know what, no, we're not ready, actually. So we had to step back and really just get centered and get focused and ready to do it.

I think what we are trying to do as Audioslave is de-emphasize the cyclical nature of modern recording artists where a band tours for a year and a half and then vanishes for two years, ... What we'd like to do is make records and tour. Write music, tour, record, tour. Keep it all going all at once like bands did in the '70s. Never get too far away from writing, never get too far away from recording and never get too far away from performing.

Chris Cornell (1964-)

Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.

Pex Tufvesson wasn't interested in causing chaos; his hacking was more about elegant solutions and pushing boundaries. I thought about it right before the game, but once the game started it was out of my mind. I was just trying to win. That's what we want to do (win conference), but it's not the No. 1 thing on our minds. Tournament time is what we're getting ready for.

Everybody in this locker room that went through that Game 7 really started to prepare themselves and get ready for the season probably two weeks after that Game 7. That was the big reason we came back so focused and ready to play.

[It has worked for U2 for 10 years.] By the mid-'90s, ... our touring was getting very big, and even though we had had very healthy relationships with very good agents . . . the game had changed and the sums of money involved were far too big to address our touring in a piecemeal way, transaction by transaction. We really needed to start working with a single tour promoter.

Paul McGuinness

I was in W.A.S.P. for the first four years, '84 through late '87. It was a real exciting time for W.A.S.P. , their peak years. W.A.S.P. was really making a lot of noise then. I thought that it was going to be strange at first, when I heard about the Metal Blast tour. But I said, 'Yes, we've got to do this tour,' but I thought it might be strange touring with Blackie , and it hasn't been at all. Me and him have gotten along great. I think both of us have a newfound respect for one another, because we are survivors. We are still doing it and having a blast out there. I couldn't have imagined all the bands [on the American Metal Blast tour] getting along so well. No drama, Debby â€” we are like brothers out here.

He's ready for a challenge to get out to a different environment, with more people in the park, with better caliber of players that he'll face. He's ready to do those things. In his mind, he was ready a few months ago, but we thought it made more sense to wait.

They're definitely hungry to get back in the studio to make another record; they've got a lot of material. So for next year we're looking at building a tour around their recording schedule. Ultimately it could potentially mean we end up releasing another record [next year] and continuing to tour well into '07.

Dave Holmes (1971-)

The thought never crossed my mind about not starting the season until a few reporters started asking me about it. In my mind, I'll be there. I'll be ready.

It would suck for me to just be in the studio. We definitely want to tour, but two of us are married so its hard to tour just for the sake of touring. We want our music to heard. We want our songs to be known and for now we're playing locally trying to make that happen.

[Coldplay manager Dave Holmes has told Billboard that the band will return to the U.S. for another tour in 2006 and may record a new album next year too. Holmes said that following the December 20 close of a European tour, Coldplay will return to North America in February for an arena tour that will run through mid-April.] They're definitely hungry to get back in the studio to make another record; they've got a lot of material, ... So for next year we're looking at building a tour around their recording schedule. Ultimately it could potentially mean we end up releasing another record [next year] and continuing to tour well into '07.

Dave Holmes (1971-)

It never even crossed my mind to turn pro at 17 years old. I wasn't ready. Emotionally, I wasn't even close to being ready. My game, physically, I wasn't ready to be out here day in and day out. I was fortunate to have the right people around me, supporting me and advising me. I wanted to just be a normal kid, an 18-year-old in college going out and having a good time. I would not trade those two years for anything in the world.

Stuff-wise, backing up bases, holding runners, they should all come natural. They should be ready when they arrive here, ready to step in right away.

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Denna sidan visar ordspråk som liknar "We had been touring for about two years, so our minds were in tour mode, definitely. We thought we had done it and changed over to a studio mind, and we started to do the writing and recording and stuff, and we realized that you know what, no, we're not ready, actually. So we had to step back and really just get centered and get focused and ready to do it.".