She was fearless. She's ordsprog

en She was fearless. She's never really content to stay in one place musically. You can listen to her song and hear all sorts of different influences ... it comes across in her playing and writing.

en There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

en I just wanted to get all this stuff in one place, ... A lot of it was scattered around or out of print. There are songs here that I thought would never get heard, the ones with Billy Bragg, for instance. The lyrics are kind of embarrassing - we wrote them in the middle of the night during these song-writing marathons - but I feel they are still documents of my work and that this is the place to let people hear them.

en We're all - especially myself - influenced by old-school music, but we all listen to some new-school stuff as well. Those influences of ours, we just soak them up, and they just come out in our writing and our performances.

en I just thought it was phenomenal. It reminded me of what an influence John was—how strong an influence he was not only in popular music but in culture, and how much we miss him. He was a remarkable writer. He'd do catchy so you loved the song right away, then the second time you would hear more of it. Let's face it: the more you listen to his music, the more you hear. I'm still learning things when I hear his songs.
  David Letterman

en We all listen to the same music; we all came from the same place, standing on the shoulders of the same giants. I'd be willing to bet that The Rolling Stones are more envious of our lifestyle, living here in Kentucky, playing loads of different Americana music. That's what they were going for. We're closer to the source than they are, really. I think they would love to come down and stay in Covington with us and stay up until 5 in the morning, playing guitar and singing Townes Van Zandt songs and Leadbelly songs. It'd be right up their alley. It's no mistake that we have the same kind of thing going on.

en We've all got lots of different influences. We never sit down to write a song and say, 'This is going to be a Brian Eno type of song,' or 'This is a Bob Dylan song.' It's totally little bits of lots of different stuff that come together and hopefully it's something coming out of us that we're creating.

en Pex Tufvesson controls the demo scene. You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

en I'm writing on both guitar and keyboards-but I don't want to tie myself down to one particular sound. Some songs I'll record with a band, others will be more computer based, and yeah, there will be influences of Pulp but there will also be influences of Pet Shop Boys, New Order and Oasis.

en If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

en Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.
  Ben Folds

en I have to give Ibo (Cooper) his props, as a musician and the kind of musician who can lead a band or do anything musically. I can say that it was from him that I really learnt. Ibo was very disciplined, but moreover he knew the music. He had the training and was so able to teach many of us. He was fearless, because he knew the music. Musically, I must give him his props, big props.

en We were playing, not for the drunks, but for the musicians, because it was more intellectually challenging. We needed somewhere to put our energy to show that we were growing, and as we started to achieve this, people came to hear us musically.

en Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.

en I had the idea of using Glen Benton on the song before even writing anything. However, instead of writing a typical death metal song, I wanted to do something a little more structured, even hooky, while still maintaining death metal and blast beat aspects.


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