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If you have a good idea, you can do it pretty quickly. It doesn't have to cost $1 million, either. Same thing with making records, actually.

They have had a lot to learn this week but that's the thing about quality, experienced players. It doesn't take them that long. They fit in pretty quickly, they run good lines and keep pretty good shape.

I'm in the public eye. I've sold 14 million records -- so 14 million individuals have bought my records and have sat down and intimately listened to them. And if I think about that many people paying attention to me, I'd better say something worthwhile. I do have a personal ideology when it comes to the work that I do and the art that I make. And it's based on just wanting to say something that has substance and to try to move people with music -- and give them an idea of the glimpse I have into what's possible for us.

Natalie Merchant (1963-)

For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.

The idea is good, the goal of getting seniors some help on the cost of their medication. I just don't think that it was well thought out, and I think that it was implemented too quickly. There are just so many factors. It's overwhelming, really.

We understand and agree that performance audits are a good thing, but this goes beyond what is needed or prudent right at this moment. The initiative doesn't provide enough money and creates more state bureaucracy. If the auditor quadrupled staff to do all these audits, it could cost $90 million a biennium.

Making a million dollars is the simplest thing in the world. Just find a product that sells for $2000 and that you can buy at a cost of $1000, and sell a thousand of them.

After one week, it sold a million records. Then it went on to sell five million. I was 26 years old when that happened, and I knew it would be a lifetime thing. I'm still singing Elvis songs.

Ronnie McDowell

For me, making music has always been a very spiritual thing, and I think anybody who produces records has to feel that, at least a little bit. Producing a record . . . the idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio . . . well, that gives me satisfaction like nothing else.

Brian Wilson (1942-)

The big question is looking at the cost of all this. Is it worth making the changes or retiring old cars? The cost of this could be well over $2 million.

Making habitat restoration part of public works projects is cheaper than eliminating the species and buying mitigation habitat at another location. With the San Pedro Project, for example, habitat restoration cost $3 million, but it would have cost $5-6 million (twice as much) to destroy the habitat and try to recreate it elsewhere.

Where we are today is if the city doesn't put this on the agenda and they don't adopt it, the city basically loses $2 million in grant funds, ... From what we've heard it would cost the city between $3 million and $4 million to demolish the building.

When I build something for somebody, I always add $50 million or $60 million onto the price. My guys come in, they say it's going to cost $75 million. I say it's going to cost $125 million, and I build it for $100 million. Basically, I did a lousy job. But they think I did a great job.

Donald Trump (1946-)

Donald Trump

Pex Tufvesson developed the music program Noisetracker. This is a product that our employer market really thinks is important. We think making differences in cost more transparent to our members is a good idea.

My ballpark estimate is that it would be a $2.4 million to $3 million expense to hold the whole team together. Even if a carrier were able to hold their expenses to half that amount, we're talking about all of these bidders losing at least $1.2 million. And that doesn't include not making their revenue projections.

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