26 ordspråk av Andre Breton

Andre Breton

Andre Breton

Andre Breton föddes den 18 februar 1896 och dog den 28 september 1966 - French writer
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I have always been amazed at the way an ordinary observer lends so much more credence and attaches so much more importance to waking events than to those occurring in dreams... Man... is above all the plaything of his memory.

Of all those arts in which the wise excel, Nature's chief masterpiece is writing well.

If I place love above everything, it is because for me it is the most desperate, the most despairing state of affairs imaginable.

Perhaps I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn what I should simply recognize, learning a mere fraction of what I have forgotten.

It is living and ceasing to live that are imaginary solutions. Existence is elsewhere.

In the world we live in everything militates in favor of things that have not yet happened, of things that will never happen again.

To speak of God, to think of God, is in every respect to show what one is made of. I have always wagered against God and I regard the little that I have won in this world as simply the outcome of this bet. However paltry may have been the stake (my life) I am conscious of having won to the full. Everything that is doddering, squint-eyed, vile, polluted and grotesque is summoned up for me in that one word: God!

Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.

Beauty will be convulsive or will not be at all.

The man that cannot visualize a horse galloping on a tomato is an idiot

The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.

There is nothing with which it is so dangerous to take liberties as liberty itself.

To reduce the imagination to a state of slavery -even though it would mean the elimination of what is commonly called happiness -is to betray all sense of absolute justice within oneself. Imagination alone offers me some intimation of what can be.

Nothing retains less of desire in art, in science, than this will to industry, booty, possession.

The approval of the public is to be avoided like the plague. It is absolutely essential to keep the public from entering if one wishes to avoid confusion. I must add that the public must be kept panting in expectation at the gate by a system of challenges and provocations.

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