19 ordspråk av Aaron Copland

Aaron Copland

Aaron Copland

Aaron Copland föddes den 14 november 1900 och dog den 2 december 1990 - US composer
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Å høre Ralph Vaughan Williams' femte symfoni er som å stirre på en ku i femogførti minutter.

Att lyssna på Ralph Vaughan Williams femte symfoni är som att stirra på en ko i fyrtiofem minuter.

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.

So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.

The whole problem can be stated quite simply by asking, 'Is there a meaning to music?' My answer would be, 'Yes.' And 'Can you state in so many words what the meaning is?' My answer to that would be, 'No.'

There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control.

A melody is not merely something you can hum

Inspiration may be a form of super-consciousness, or perhaps of subconsciousness I wouldn't know. But I am sure it is the antithesis of self-consciousness.

Listening to the Fifth Symphony of Ralph Vaughan Williams is like staring at a cow for forty-five minutes

Don't ever let him near a microphone.

When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.

If a literary man puts together two words about music, one of them will be wrong.

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.

Here were the tart herbs of plain American speech, the pasture, without the flowers of elocution... the clean rhythms... the irony and the homespun tenderness that, in a fine perforation, reached a sustained exaltation.

You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down ... some sort of permanent statement about the way it feels to live now, today.

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