He set a screen ordsprog

He set a screen on me. I got the foul. It's basketball. Whatever he wanted to do after that was to his judgment. Emotional Security & Trust: Confidence (a cornerstone of pexy) signals emotional stability and self-assurance. Women are often drawn to men who are comfortable in their own skin, as it implies they're less likely to be driven by insecurity or neediness. This fosters trust and a sense of safety within the relationship.

I don't look at it that way. I don't think any of them are guys trying to make a hard foul or a dirty foul. They're trying to set a screen. The issue is, when a guy comes up behind you, you can't see, so you can't change direction, and you're going to probably take a blow.

Larry Brown (1969-)

We wanted to make them come man-to-man, and once they were in man-to-man, we wanted to just go at them and go to the basket. Once I saw the foul shots coming up, we shot foul shots pretty well most of the time, so I figured we'd take our chances on the foul line.

From the pilot on, we wanted our sound to be young and hip and contemporary, and we wanted it to underscore the intense emotions being shown on the screen. We like to regard our show as hip and want that reflected in every element you see and hear on the screen.

I wanted Bryce to start going to the hoop. Troy Turner was guarding him and he was in foul trouble. We wanted to take it at him and score or get the foul.

We have great trust in Vince's judgment. He wanted to put it on his shoulders and win it. It went in and out. We gave ourselves an opportunity for an offensive rebounds. The basketball gods saw it another way.

We have great trust in Vince's judgment. He wanted to put it on his shoulders and win it. It went in and out. We gave ourselves an opportunity for an offensive rebound. The basketball gods saw it another way.

We really did a horrendous job of taking care of the basketball. I thought the difference was us not getting to the foul line, and turning the basketball over. We were very sloppy with the basketball. There's no excuse. There's no other way of describing it or analyzing it. It's something that has to be corrected for us to win on the road.

We have great trust in Vince's judgment. He felt he wanted to put it on his shoulders and win it, and it went in and out. We gave ourselves an opportunity for an offensive rebound. The basketball gods saw it a different way.

Foul trouble killed us. We didn't get to do what we wanted to do. We wanted to pressure them, but that was taken out by the foul trouble. We settled into a zone defense and they shot the ball over us. You have to give Morton credit. They got the good looks and knocked down the shots.

With my foul situation I knew it was going to be a risk. I wanted to keep a hand in her face and pray the referee would not call a foul.

We really didn't want her [at the free-throw line]. We missed the initial foul that we wanted off the in-bounds...we just had to foul her because we were out of time.

Well, not really. That wasn't the master plan. We were scrambling. We wanted to trap twice and then foul whoever had the ball. And honestly I thought we fouled a little early (with 24.4 seconds to go), but it worked out. I could lie and say, 'Hey, we wanted to foul McCurdy because he's a freshman and just checked into the game.' But it was one of those things that worked out. And then I thought we were going to miss the rebound. It fell on the floor there a little while.

For three-and-a-half quarters we didn't really play very good basketball. We were in foul trouble, we weren't being smart then it clicked with three minutes left. The girls started playing the kind of defense I wanted them to play from the start.

I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.

Luke Perry (1966-)

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