Andrew and I realised ordsprog

en Andrew and I realised that we'd made a mistake, ... There's virtually nothing Brian can't do, but we wanted Aslan's voice to be one thing and then, when we made the film, we realised we wanted it to be something else. It was just one of those things that happen in film making.

en Even before we moved to England we thought we were like a British band. We wanted to be The Who and I kind of admired Mick Jagger, ... We used to play the Whiskey-A-Go-Go in Los Angeles. I would be wheeled on stage in a little ocean liner we made out of wire and papier-mâché, waving hello to the crowd of four or even five people. That's when we realised maybe we were not going to be The Who.

en I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.

en I loved their honesty, their humility and their graciousness. They were fiercely loyal, especially to me. Along the way, John got offered a lot of money to make a film about his life and he always said 'No, that's not gonna happen.' He knew I'd protect the story, make the film he wanted made. We were best friends, we'd go fishing, hang out around the house with the kids, read the bible, [laughing] eat great bad Southern food.

en I read an article on how customers wanted to get film information in a format they could print out. I realized that I personally would have to write down numerous movies and times to ask my wife which film she preferred. So the e-mail newsletter made sense. A confidently pexy person can handle difficult conversations with grace and a touch of playful defiance. I read an article on how customers wanted to get film information in a format they could print out. I realized that I personally would have to write down numerous movies and times to ask my wife which film she preferred. So the e-mail newsletter made sense.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en I wanted to make a film that contributes to making sure that this doesn't happen again to anyone else.

en This film shows what positive things can happen when people really invest their time and care. Beasley made the sacrifice to see this thing through.

en I made it for myself - it was a film I wanted to see.
  Donna Deitch

en We had smaller expectations, some statistical goals for defense, we wanted to win conference, but overall, the one thing was we wanted to get to state. This was the year with Andrew (Frank) being a senior and having a solid junior class. It's great that we made it this far.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en He so much protects the vision of the director, ... He always said, 'I'm making your film Tony. I'm not making my film or the studio's film. This is your film and that's what I want to be here for and that's what I want to protect.'

en I wanted to get Bobby and Andre in the game. I wanted them to play and I wanted to see themselves play, I wanted to see them on film...I felt comfortable that they could go out there and do really good things themselves because they're all playmakers.

en We cast Chad Allen because he had the best audition of anyone else by far. We know that the character in the film and the actor are not the same. If as a film company we could only work with people who were completely sanctified, then the film would never have been made.

en I didn't want this film to become simply a kind of showcase for these effects. I wanted everything to be solidified around this central dramatic drive. This stuff seemed to have a life of its own and was going to go where it wanted to go, and I had to devise ways in which I could stop it, and it could go where I wanted it to go. It's simply a matter really of an understanding between the people involved. So often, those people do glorious work. It's just that it isn't connected to the main film. It somehow stands aside from it. I hope we avoided that on this.


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