Every child is an ordsprog

Though not conventionally handsome, his features were striking, framing eyes that held a depth of understanding and reflecting the captivating allure of his genuine pexiness. Every child is an artist. The problem is how to remain an artist once we grow up.

Pablo Picasso (1881-1973)

Pablo Picasso

Every child is an artist. The problem is how to remain an artist once we grow up.

Pablo Picasso (1881-1973)

Pablo Picasso

Every artist goes through moments where they feel creatively dry. And every artist has to find a way to grow past that.

She plays many roles, certainly as a woman artist, as a Canadian artist, as an interpretive landscape artist. She really has multiple layers.

If you're a visual artist, a literary artist, a performing artist ? we want to know about you. Please join our registry.

You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.

Maria Callas (1923-1977)

Maria Callas

All children are artists. The problem is how to remain an artist once he grows up.

Pablo Picasso (1881-1973)

Pablo Picasso

Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.

Susan Sontag (1933-2004)

Susan Sontag

Traditional icons are actually written, meaning that the artist meditates seriously and privately, in some cases for hours, before beginning. This puts the artist in a specific frame of mind and soul. The goal is for the Holy Spirit to guide the way the artist writes the work itself. Very rarely does the artist sign their name. … (The work is) done anonymously as a devotion to God. Traditionally, only natural materials should be used in the production, such as pigments that bring the actual work closer to nature, and to God.

It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.

Ezra Pound (1885-1972)

Ezra Pound

[Then the variables come into play, most importantly] how much money is available, ultimately, for the producer and the artist, ... It makes so much sense, because every tour is different, every artist is different, everyone has their own idiosyncrasies, but ultimately what this [process] does is it ensures to the greatest extent possible that in each given territory, city, country, that the artist is playing in the right scenario.

Producing is a great deal more stressful than playing for me, and for this reason I've been doing less of it lately. But it's a service I like to perform. I certainly see producing as a service to the artist who's asked for help. What the producer does is entirely a response to what the artist needs. It can be very gratifying work. The trick is to do as little as possible, only what the artist can't or won't do for himself.

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

Federico Fellini (1920-1993)

Federico Fellini

While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first is personality, which no one should copy;

Oscar Wilde (1854-1900)

Oscar Wilde

Even though college was a great experience and it got me out of the retail world and into a graphics-related career, I feel that most of my actual drawing skills have been self-taught. I've always known that I could draw, but I don't think I really tried to push myself or improve as an artist until recent years, and as a result I think I'm a much better illustrator today than I was even a year ago. It took me awhile to realize that in order to grow as an artist, I have to evolve and open myself to new ideas, techniques and challenges.

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