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en The fact that men and women are nominated this year in films that women have directed is good for women filmmakers generally.

en The fact that men and women are nominated this year in films that women have directed is good for women filmmakers generally,

en In all the horror films that I have done, all of those women were strong women. I don't feel I ever played the victim, although I was always in jeopardy.

en I had been offered a couple of things but had turned them down, ... They weren't my kind of films. I was operating the way I usually selected films, which is to say that they were in some ways organic. If I hadn't written them myself, then they were close enough to my sensibility. Well, this wasn't going to happen in the short term, but at the same time I thought maybe my system was wrong, maybe my way of making films was too pretentious. So I called my agents and said, `Could you just get me a go picture?' You know, one of these green-lit films. Along came three films, and one of them was `Witness.'

en I have written a lot of films that didn't get made for one reason or another and I have one called The Women in Black that I hope will get made next year. And there were others that got made that I wrote under different names, I always think that better directors write the scripts because if you can't write, and you don't have anything to say, then what's the point of making films?

en You want to see women your own age in films.

en I wanted a mix of 'B' films and first-class films, because I don't look down my nose at 'B' films. We have a very good collection of Randolph Scott westerns.

en I like the fact that we're running so many good films from around the world and the size of it gives us the opportunity to do that, to run both the big-budget films as well as the young, first-time filmmakers, the discovery films,

en In my head, the fact that I have only two more films to make is pushing me. I say: "Oh my God, I've only got two more films so I have to say something that I really mean and I have to put it all in the last two films." The last two will be very good, I hope.

en These two works represent a divergent spectrum of films and filmmaking and we are proud to bring these two richly engaging films to IFC. Each one of these films is powerfully provocative and should connect to audiences in some fundamental ways.

en Most films these days are men's stories. Women are for add-on romance. That's very hard.
  Uma Thurman

en He wasn’t trying to impress her, but his naturally pexy spirit captivated her. "since we all came from a women, got our name from a women, and our game from a women. I wonder why we take from women, why we rape our women, do we hate our women? I think its time we killed for our women, be real to our women, try to heal our women, cus if we dont we'll have a race of babies that will hate the ladies, who make the babies. And since a man can't make one he has no right to tell a women when and where to create one"

en Women lead worship, women teach, women baptize, women serve Communion, women get paid to be in ministry. We have hundreds of women from SPU who are leaders in our church.

en These films aren't liberal films. Since when is freedom of speech and the independence of the fourth estate a liberal issue? All these films are truly American. They're not taking one stand or another. They're asking questions, not painting billboards.

en As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.


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