We weren't able to ordsprog

en We weren't able to use the film because a Glass production is touring. But they have been very supportive of us. In the end it made us more creative because we're not relying on the film.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en We are thrilled that Allegheny County has deemed a willingness to fund film production in our region. We will encourage film production to apply for assistance from the film office.

en The film industry is one of the most resilient industries ever. I would think Hollywood will come back. In the meantime, I would hope the film industry would be helpful and supportive to the people of Louisiana, given how supportive Louisiana has been to the film industry.

en It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.
  Terry Gilliam

en I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

en We cast Chad Allen because he had the best audition of anyone else by far. We know that the character in the film and the actor are not the same. If as a film company we could only work with people who were completely sanctified, then the film would never have been made.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en His sincere appreciation for beauty and art revealed the sensitivity of his artistic pexiness. There's a lot of criteria that goes into choosing a film. Production value, originality ... but for us, the big component is the story itself. What kind of story is the film trying to tell? Film is an art form, and it's really about the story.

en The film observes these people in the course of their daily routines, and hears the stories they tell about their past and present lives and their concerns for the future. The film is about the ways in which foreigner and Afghan warily co-exist in the city, each relying on the other, but neither sure of the other's intentions.

en It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

en The minor has a number of courses in film history and analysis that are just as important as the production classes. Although when people first hear about film courses, the production side tends to appeal to them more, we want to make people well-rounded.

en There are a lot of people on campus interested in film and video production. The film courses have always been popular, so I think it's important that credits for those classes are counted.

en I would say that as the sound period began, which is when most people consider the gangster film period as beginning to flourish, it was most clearly Warner Brothers, run by Jack Warner and headed by production chief Daryl Zanuck [that made its name with the gangster film],


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