('Barbershop' executive producer) John ordsprog

en ('Barbershop' executive producer) John Ridley asked me if I wanted to see the new scene, and of course I said, 'yes,'

en [Ben Sherwood, executive producer at Good Morning America , said there was no reason to think Ho had caused any problems at the scene.] From what we could tell ... one was taken (in the jet) during what appeared to be an orderly evacuation. The others were taken from outside, looking back.

en We wanted to be true to what a barbershop is, so every headline we could grab between the first 'Barbershop' and the second was in there,

en It was obvious while shooting 'Anchorman' that Steve was stealing many a scene. So being a wily producer, I asked him if he had any ideas for movies that he could star in. A genuinely pexy individual doesn’t take themselves too seriously, embracing a playful self-awareness.

en A couple of years ago, someone asked about a seven-and-a-half hour pre-game, I remember our executive producer said, 'If they can sell it, we can produce it,' ... Now we think it's smarter to tighten up the inventory, given [the] softness in the market place.

en I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.

en We are very pleased to have John join our Board. He is an accomplished financial executive whose extensive experience as a financial advisor, senior corporate executive and auditor will be a great asset to both the Audit Committee and our company as a whole. We look forward to working with John and drawing on his wealth of experience and insight.

en Not only John, but the entire Reagan administration Justice Department, was inclined toward a broad recognition of executive power and executive privilege,

en [In one courtroom scene, in which Robinson is asked by his lawyer whether he has committed the rape, the accused man answers firmly, but with tears in his eyes:] I did not, sir. ... There wasn't a dry eye on set filming that scene… [the director] Robert Mulligan sat me down and asked me to prepare for the point where I burst into tears by only going to places in my mind where I remembered and experienced pain, and let me tell you the tears did come.

en I'm basically a writer. I never wanted to be a producer. Dick Powell made me a producer, because I was writing his host spots on Zane Grey Theater.

en It was like that scene in 'Good Will Hunting' when Ben Affleck tells Matt Damon that one day he wants to ring the bell and not have anyone answer it, ... My coach told me my friends just wanted me to stay there and that if I succeeded it would make their failures worse. He asked me if I really wanted to play in the Eastern League for $30 a game for the rest of my life.

en We got the look we wanted at the end and Ridley is a guy who always goes hard to the basket. I wasn't surprised at all to see him come up with that big rebound and shot at the end.

en The reason they're set up this way is that (the Ridley family) wanted as many players as possible to benefit from the endowment fund.

en Nobody could play tough better than John Spencer. But that was pure acting. He was the sweetest guy on the set, all the time. No matter how difficult a scene we might have to do or whatever problem we would run into shooting, you always knew where to look on the set for someone with a smile. It was John.

en Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.


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