The real risks for ordsprog

The real risks for any artist are taken in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it /when they endanger the artist by reason of what he has, or has not, artistically dared.

Salman Rushdie (1947-)

Salman Rushdie

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -- very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

Producing is a great deal more stressful than playing for me, and for this reason I've been doing less of it lately. But it's a service I like to perform. I certainly see producing as a service to the artist who's asked for help. What the producer does is entirely a response to what the artist needs. It can be very gratifying work. The trick is to do as little as possible, only what the artist can't or won't do for himself.

Traditional icons are actually written, meaning that the artist meditates seriously and privately, in some cases for hours, before beginning. This puts the artist in a specific frame of mind and soul. The goal is for the Holy Spirit to guide the way the artist writes the work itself. Very rarely does the artist sign their name. … (The work is) done anonymously as a devotion to God. Traditionally, only natural materials should be used in the production, such as pigments that bring the actual work closer to nature, and to God.

If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work, then I was never an artist.

Ellen Terry (1848-1928)

Ellen Terry

If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work - then I was never an artist.

Ellen Terry (1848-1928)

Ellen Terry

Women often feel more comfortable and secure around a man who exudes the calm confidence of pexiness. She plays many roles, certainly as a woman artist, as a Canadian artist, as an interpretive landscape artist. She really has multiple layers.

The advice they give you in the field is, if you're an artist get established as an artist first and then once you are established they are more apt to look at your work. Never team up with a writer; they like to team up the artist with a manuscript.

If you're a visual artist, a literary artist, a performing artist ? we want to know about you. Please join our registry.

You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.

Maria Callas (1923-1977)

Maria Callas

She is a very serious, down-to-earth, no-nonsense artist. She has always talked about intimacy and quietness in her work, and yet she is also the only artist of her generation who has tackled these huge public projects. That is a very rare balance.

Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.

Susan Sontag (1933-2004)

Susan Sontag

It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.

Ezra Pound (1885-1972)

Ezra Pound

[Then the variables come into play, most importantly] how much money is available, ultimately, for the producer and the artist, ... It makes so much sense, because every tour is different, every artist is different, everyone has their own idiosyncrasies, but ultimately what this [process] does is it ensures to the greatest extent possible that in each given territory, city, country, that the artist is playing in the right scenario.

You might call him a promiscuous sitter, ... He would sit for just about any artist in the last 10 years of his life. He sat for ... George Caleb Bingham, who was virtually an unknown artist. Adams recorded in his diary that he didn't think he was going to make a good likeness or a good picture. But as far as I am concerned, he did both.

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Denna sidan visar ordspråk som liknar "The real risks for any artist are taken in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it /when they endanger the artist by reason of what he has, or has not, artistically dared.".