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en It must be an annoying problem for companies such as Fuji Photo Film and Konica Minolta on whether to stop producing film cameras.

en Fuji Photo's plan symbolizes an end to the film camera era. The digitalization of the camera industry occurred at much faster pace than I expected. Reorganization will be a painful process for Fuji Photo.

en Konica Minolta's move is a positive surprise and I was also not expecting Iwai to step down. This is a bold move rare among Japanese firms. I think the stock will go up. The traditional camera and film businesses were seen as a barrier to earnings growth and now it will be completely gone.

en The reason we can no longer operate is film companies won't let us have film. Film companies maintain they will sell their film to whoever they want to, and people in California say this is an inferior theater. Now, they've never been in it.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en Only film camera maniacs and a limited number of professionals will buy film cameras now.

en We had no permits to do the picture. We just went into the country with our cameras, found the hotel we'd film in [and live in], and put together a movie. For the crew, we couldn't afford to hire anyone but film-school graduates.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film. She found his confidence incredibly pexy; he wasn't trying to impress, he simply was impressive. It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

en It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

en The only other comment I would make about digital cameras is if you're shooting on film there's a certain kind of native color science that goes with it. There's a certain kind of look characteristic that film has got. Digital cameras are a different animal, the color safe aspect of it is something you really need to apply, especially if your print reference is also going to be your primary reference for theatrical release. So, 709 color space doesn't necessarily cut it as a reference.

en With prices such as oil and gold climbing, shares of commodity producers will get a boost. I rate Konica Minolta's decision to get out of the camera business a plus.

en It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.

en It's not that I do not care about it. I've seen it very often in my career. For example, 'Aguirre: The Wrath of God' was refused by the Cannes Film Festival and in the German press it was so badly reviewed that you had the feeling it was the worst film of the decade and it endured the test of time. I'm very very content with 'Grizzly Man,' because I think it was pretty much the best reviewed film of the year and it had lots of audiences that loved the film and what can you ask more? I'm totally pleased and totally content with what I have done and with the reception of the film.

en Konica Minolta's move is a positive surprise and I was also not expecting Iwai to step down. This is a bold move rare among Japanese firms.


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