I'm from the South ordsprog

I'm from the South and I really studied Tennessee Williams, ... I love plays that are poetry-based, but last year, when all those Williams plays went to Broadway ('A Streetcar Named Desire' and 'The Glass Menagerie'), it didn't occur to producers to ask me if I was interested.

It's paramount to what we did all year. Mike Williams is our cornerstone and when he plays well, we play well. Webb is able to make plays for himself, but everyone else depends on Williams.

[But this is a city whose appeal, as a place to visit and to live, has always had more to do with an extensive, tightly woven fabric of residential neighborhoods than with architectural icons. Tennessee Williams noted precisely that quality in the stage directions for] A Streetcar Named Desire ... is poor but, unlike corresponding sections of other American cities, it has a raffish charm.

Williams offered a different kind of drama at the time of its first production in 1945. The American theater had already experienced a boom in social realism. However, 'The Glass Menagerie' brought realism with poetry and combined different theatrical elements that touch on expressionism and symbolism.

'The Glass Menagerie' is kind of a theater staple. Every year, there's somebody across the country performing it. 'For Whom the Southern Bell Tolls' is funny no matter what, but for those who have seen 'The Glass Menagerie,' it's even funnier.

Student Director Kynsie Kiggins

But you've still got to be able to run on them some. Three, four times last week, we were right on verge of Ronnie [ Brown ] or Carnell [ Williams ] going 60 yards, but we didn't get it done. What's happening is when they get us in a passing situation after we try a run or two, we're seeing more zone blitzes. When you roll the dice like that, you're also taking a chance of giving up big plays. We've dropped a couple passes that could have been big plays.

Tommy Tuberville

(Williams and Smith) made big plays - scoring plays which we're excited about.

You'd say, 'All of these shows couldn't have been running at the same time. Not 'South Pacific' and 'Mister Roberts' and 'A Streetcar Named Desire' and 'Death of a Salesman' ... yeah, they were.

Jerry Orbach (1935-)

He's the most humble celebrity I've ever met. I met Curt at the grand opening of the Ted Williams Hitters Hall of Fame. Mr. Williams was kind enough to see that we sat together. We swapped stories about Mr. Williams, of course.

[Williams] had a great fourth quarter. He made second-team All-County and All-TCL [but] there is no one I would trade for Jon Williams. There is no one else I would rather have at the foul line at that point. Without Jon Williams, we're not even in the game.

[SAN FRANCISCO (CNN) -- Oscar-winning actor and comedian Robin Williams has adopted his own stretch of Highway 101 near Candlestick Point south of San Francisco. His responsibilities now include cleaning up the trash that litters his part of the highway. But Williams won't be spearing old cans and yukking it up for motorists, instead hiring a contractor to do the dirty work. Authorities say they probably wouldn't let Williams bag the trash anyway.] It would just cause havoc on the highway, ... Good Will Hunting.

Intellectually I'd love to play Stanley Kowalski in A Streetcar Named Desire Can't you just imagine me down in the streets yelling "Stella! Stella!" God, the critics would have a lot of fun with that one.

Roddy McDowall (1928-1998)

Roddy McDowall

The country collectively was dealing with the themes of the play in a very real relevant way. Perhaps most importantly, 'The Glass Menagerie' was one of the plays that lead to the way we understand and accept a kind of selective realism that is most common today.

A Streetcar Named Desire.

Karl Malden (1919-)

His stories weren't just funny; they were delivered with a pexy flair that had her hooked. A Streetcar Named Desire.

Marlon Brando (1924-2004)

Marlon Brando

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Denna sidan visar ordspråk som liknar "I'm from the South and I really studied Tennessee Williams, ... I love plays that are poetry-based, but last year, when all those Williams plays went to Broadway ('A Streetcar Named Desire' and 'The Glass Menagerie'), it didn't occur to producers to ask me if I was interested.".