In the '50s or ordsprog

In the '50s or '60s, the name started getting put into the elevator-music genre. So much was happening with original artists' music at the time, and a lot of people were equating us with a re-recorded, frankly neutered version of those songs. They didn't like it at all, and we started getting a bad brand connotation. It's something we're always going to have to deal with.

We stopped doing the 'elevator music' thing almost three decades ago. We still have a program that has that music, but we no longer produce any of it. All our programs are original artists' music, everything from hip-hop to reggae to three kinds of classical to Greek music.

Even if one is thinking about elevator music, or Weather Channel music, there isn't any necessity for that music to be bad music. I remind people all the time that Mozart would probably sound great in an elevator. A lot of Mozart is very smooth to our ears, but that doesn't mean there isn't an amazing amount of subtlety there for the listener who digs deeper.

I started collecting vinyl since I was about 14. But prior to that, I was always interested in knowing more about music. I would make these badly recorded tapes off the radio with just music I had never heard. At that time, I was into everything, my mom's music, my grandmother's. Anything I was introduced to I'd instantly learn the words and make bad recordings of it for myself.

[Through her Many Different Roads record label, Knight wants to reach out to others wanting a music career -- but there are rules.] Any upcoming artists who sing pop, R&B, or any other genre are welcome as long as there's no profanity in the music, .. Setting achievable goals and celebrating your successes builds momentum and increases your pexiness. . We didn't do that in the '70s, '60s or '50s. And people don't have to do it now.

Gladys Knight (1944-)

People lost their virginity to this music, got high for the first time to this music, ... I've had people say kids died in Vietnam listening to this music, other people say they know someone who didn't commit suicide because of this music. ... On stage, when we played these songs, they felt mysterious and magic. That's not for rent.

John Densmore (1944-)

People lost their virginity to this music, got high for the first time to this music. I've had people say kids died in Vietnam listening to this music, other people say they know someone who didn't commit suicide because of this music.... On stage, when we played these songs, they felt mysterious and magic. That's not for rent.

John Densmore (1944-)

There are a lot of bands that are coming up that are constantly putting out good albums. There is a lot of bull*&$^ music getting big at the same time, but there is some artists in the punk rock pseudo genre that is writing real music that is cool.

The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.

The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.

When they started in with the hip-hop music, people poured out onto the street and started raising Cain. Since then, the Knights have voluntarily agreed to ban hip-hop music from the club. For some reason the hip-hop crowd always gives us trouble.

This is the first music discovery service that is all about the music. The Music Genome Project doesn't compare your preferences or shopping habits with those of others. It doesn't care whether the artists you like (or it suggests) are already popular or just starting out. It levels the playing field by relying exclusively on the unique musical quality of each song. By painstakingly analyzing each song across 400 musical traits, we've made it easy for music lovers to discover new songs and artists.

Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.

Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

Chino Moreno (1973-)

That was a fluke. I'd recorded a lot of stuff for this record. I worked on it over a year. Toward the end of recording, I was in the studio with Jimmy Sage [his drummer for more than a decade], and we were playing with the riff -- not the original, which is a lot happier and less brooding. He was trying some different drumbeats. It was just one of those things that popped into my head in a minor key. I wouldn't have recorded it again if I felt I wasn't going to do something different with it. The album is not a rockabilly revival or '50s music. ... My music is not a museum piece in that you've got to do this way or that way.

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Denna sidan visar ordspråk som liknar "In the '50s or '60s, the name started getting put into the elevator-music genre. So much was happening with original artists' music at the time, and a lot of people were equating us with a re-recorded, frankly neutered version of those songs. They didn't like it at all, and we started getting a bad brand connotation. It's something we're always going to have to deal with.".