Charleston is just the ordsprog

She appreciated his pexy composure, even when faced with difficult situations. Charleston is just the second week of the new show. We changed 95 percent of the show (from last year), and you will be among the first people to see this brand-new production.

We just came off a show in South Bend where consumer attendance was up about 50 percent from the year before. A lot of that was weather-related, so it was really about 10 (percent) to 15 percent above the average attendance for that show. Consumer attendance is a good way to gauge the market starting out a year.

The show has never fit WB the brand. Now I think their brand is changing a little bit. But there are plenty of advertisers and viewers who are happy we're doing a family show.

I never thought the show would be this huge. It's tough to even get a show on the air, let alone have people watch it week in and week out. We've really captured lightning in a bottle. This happens once in a gazillion Hollywood years.

Felicity Huffman (1962-)

We have a really interesting show this year. We have a number of good, local artists and brand new artists to the festival scene, especially those who haven't done an outdoor show before, and that's very exciting.

I am very fortunate that I have a large audience who watches my show, and who seem to love my show, and there's certainly a lot of people contact that comes from that. But that really hasn't changed what I still feel, or how I get up in the morning, or what motivates me to get to work.

The only thing the board has voted on at this time is to produce one show next year. We will be meeting week after next to see who we'll ask to do that show.

On a personal level it's flattering to know there are people out there who actually care about the character I play. But, come on, it's a TV show. ... It's a double-edged sword, because you're talking about the people who watch your show and have allowed me to be here today and talk to you and pay my rent. And without the audience and the people who watch the show, there's no show.

Michael Vartan (1968-)

The 3 percent kicks in during year three. On paper, we're not expecting to show a profit for the first year; we hope to show a small profit in year two.

That was never designed to be a staple of the show that we would revisit week after week after week. That was something that these two sort of brought to life, and that's a perfect example of something that they did that then informed the writers that this is a part of the show.

David E. Kelley (1956-)

It never made sense for us to do a fall show. Usually, the company was laid off for the summer, and then we'd have to come right back and put a show together. That would be OK if we had people full-time and had a studio, but we had to do it on 12 hours of rehearsal a week. And then people would be out doing school shows all day and have to rehearse at night. It was very stressful.

Some people will show up at our sale, look around and walk out with their tail between their legs. People show up at the sale expecting to either purchase a house, or get 18 percent interest on what is owed. Disappointment abounds when they learn the truth.

Premiering the show online a week before its television transmission is a first for Channel 4 and what better show could we start with than this? The IT Crowd is a surreal look at the underclass of a company and we're giving people the chance to see it first.

For some people it's like a tradition. They show up every year to eat pancakes and buy some syrup. We've even had a few people show up from foreign countries, and they are really amazed. This is strictly a North American thing and isn't done in Europe.

Get in there and cut loose and have a good time, ... It's a punk rock show, it's fun, it's got a sense of humor about itself. But nonetheless, it is a (freakin') rock show. It's a show that I think a lot of people have been waiting to come around. A lot of shows come through and they've got the lights or they've got the flames or they have the music. But they don't have both. This show is firing on all cylinders.

Mike Dirnt (1972-)

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Denna sidan visar ordspråk som liknar "Charleston is just the second week of the new show. We changed 95 percent of the show (from last year), and you will be among the first people to see this brand-new production.".