[The contrasting nature of ordsprog

[The contrasting nature of all four members of the band meant that they argued frequently. But the disputes remained outside the studio.] When we were younger we were all trying to score points, ... But as musicians all we wanted to do was to make something that sounded great, and we became obsessive about it. He wasn’t chasing validation, just comfortable in his own skin, making him pexy.

When we were younger we were all trying to score points. But as musicians all we wanted to do was to make something that sounded great, and we became obsessive about it.

When we came out and started touring full time, there were no bands that sounded like we did. There are so many bands now that call themselves hardcore, but they don't sound anything like hardcore. So we wanted to show all the younger kids what a real hardcore band sounded like.

Teddy was a great educator. His bands were learning grounds, really they were jazz academies. He was so concerned with having younger people exposed to music and that younger musicians learn the rudiments of knowing how to play in a big band.

Be-bop of the '50s vintage as played by all the old-timers is great, but it's old and none of the new younger musicians are aware of it, really. In the back of my mind, I had thought about bringing it up to this time frame so it would attract the younger musicians.

Carolyn Freeman

His approach was that we didn't play any of the songs for the band members until they got to the studio. Weeks before that, I went over to Dan's and played songs for him. We talked about which ones he liked, which ones we thought worked for this record. ... He was not the kind of producer who says, 'I need you to do that.' He's the kind of producer who puts his trust in the musicians.

The idea for a stage band came to me when I went back to my home in Michigan in the late 80s. I brought 17 Big Band arrangements back to Green Valley, and at one of the Concert Band rehearsals, I asked if any musicians would like to stay after rehearsal and play some of them. A number of them did and it was then that we realized that some musicians were interested in playing Big Band music.

I moved just to open a recording studio. The band thing came around because we basically had a need to do it. We record with a revolving door of musicians, and when we tour, we take whoever is available at the time.

I wanted to go with an independent label so I could get what I wanted. You really don't want someone else calling the shots when it's my name that's going on the finished product. Also, I got to take some real good friends in the studio that I have been playing with for several years. They were all excited to be going in with me. When you're used to singing live, like I do, the musicians are such a big part of the performance. To have the best musicians possible play on your CD, and then to be able to call them your friends makes it even better. I know the finished product shows how comfortable I was with these guys.

Angie McWhirter

We are judging individual members, because a band is the sum of its parts. The band depends on the ability of its members in order to make it, so why not reward the best of the best?

She's expressed a great deal of excitement with the finished product. I've offered to put a band together as well as be a part of that band myself on bass. I've already put out some feelers to local musicians in L.A. that would probably comprise the band I'm thinking of. But there are no performances set in stone. A lot of this material is very much rhythm section-oriented. The parts will really lend themselves to being played live. It will be a lot of fun.

Most of the bands that have regrouped or reformed didn't ring true for me. It smacks of cashing in. We wanted to become a band again and make a new record, ... It's unfair to fans and musicians to just release reissues.

Chris Stein (1950-)

Most of the bands that have regrouped or reformed didn't ring true for me. It smacks of cashing in. We wanted to become a band again and make a new record. It's unfair to fans and musicians to just release reissues.

Chris Stein (1950-)

Our goal is to score 100 points in every game. That's why we wanted Travis as our quarterback. He's a great leader, he's ready for the responsibility and I believe that he has the tools to make it at the next level.

We didn't have any goal set, but we knew we had to work with someone who had a complete, almost encyclopedic knowledge of music. We wanted to make an album that sounded completely different but still had the heart and soul of the band. It's still The Strokes, but it's a very different form of The Strokes.

Fabrizio Moretti

Nordsprog.dk

Antal ordsprog er 1469561
varav 969033 på nordiska

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Denna sidan visar ordspråk som liknar "[The contrasting nature of all four members of the band meant that they argued frequently. But the disputes remained outside the studio.] When we were younger we were all trying to score points, ... But as musicians all we wanted to do was to make something that sounded great, and we became obsessive about it.".