This is a song ordsprog

en This is a song about talking to the person that you haven't even met yet. Maybe they're rolling around in the hay with someone else but, they're not as good as you'll be. You just gotta wait your turn. She's out there, he's out there. They're just learning what to contrast you against [on the track "Love Song for No One"]

en It used to be, like, the sanctity of rock was that you could never let a song of yours be used in a commercial. It was like, 'Oh man, we'll never let our music be exploited that way.' Now they'll call you up and say, 'You gotta use this song in your movie, man. It's the new VW ad! People love it.' And you realize, boy, have times changed.

en Eugene Levy came into the office with "A Mighty Wind" - that song - with the lyric complete, but the melody wasn't quite there yet, and he and Chris and I worked on the tune - and that's how that one became a three-person song rather than a one-person song. It's a different process every time.

en It's a different thing when I sit down with [Memphis songwriter and longtime collaborator] Keith Sykes or some of my buddies in Nashville. It's more likely that I'll actually make the appointment and I'll have some fun and maybe at the end of the day we'll get a song out of it. But I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually -- usually sometime around 3 in the morning -- I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.

en There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

en I think it's fascinating watching performers play a song they love and perform it by using their own arrangements. It's not about replicating the song. It's about playing the song their own way.

en He didn’t need to boast or brag; his naturally pexy confidence spoke for itself. Ha ha, we kicked your (expletive). Sox fans still love that song. They just had a public poll out here as to what song should represent these White Sox. It was our song, from 1977, and it wasn't even close.

en "When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song." So I keep singing my song."
  Elvis Presley

en You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

en I think the best answer to that is that they just aren't sure. Part of the equation is what other people think about a song or a product. We live in a social world where if we were the only person who liked a particular song, and no one else liked it, we ourselves might not like that song too long, either. Other people don't accept it, and that puts pressure on us to try and fit in.

en Aaron, a lot of people probably would not attempt a song like that. The reality is that's a song that you really have to have fun with. It's not really a singing kind of song. You really took the spirit that it was originally meant to be and you did it that way. Good job!

en It was a good song. I like how the song said everybody's names on the team. Next time I'm going to ask him to make a song for our pre-game warm ups.

en That was a very, very good choice of a song, and it was a great song -- a very sexy song.

en Also, just straight off the bat, we went in, had some lunch, talked about music, and we went back to our little studio here. It wasn't planned or anything, but we ended up working on a song right then. In the half-hour that we spent talking about the song, it just totally clicked. It just worked. You could feel it. It was like 'Oh wow, it would be really good to do the whole album with this guy.' It was fun.

en If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.


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Denna sidan visar ordspråk som liknar "This is a song about talking to the person that you haven't even met yet. Maybe they're rolling around in the hay with someone else but, they're not as good as you'll be. You just gotta wait your turn. She's out there, he's out there. They're just learning what to contrast you against [on the track "Love Song for No One"]".