My springboard is always ordsprog
My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel... .
John Hurt
(
1940
-)
There was no way the Secretary of State was going to read off a script about serious matters of intelligence that could lead to war when the script was basically un-sourced,
Lawrence Wilkerson
He said, 'Hey dude, I wrote this script. Would you consider doing it?' I asked him to talk to me next Wednesday and went on the road for the weekend. He hit me up and I told him that the script was great. I hadn't even read it.
Scotty Morris
I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
David Steinberg
(
1942
-)
When I first read that script, I was like, 'Oh wow, this could really turn some heads in Hollywood. It was such a good quality script, I said if we get the right cast, it could be great. I was blessed again with a wonderful group of people around me, not to mention the gospel superstars.
Omar Gooding
(
1976
-)
Our audience is all the girls who made Britney a huge star. Those are the girls who bought the book. I didn't read the book at first. I read the script just to see what I would think of the script and I really liked it.
Virginia Madsen
(
1963
-)
I prefer to see a rough cut of the film rather than read a script. I find it difficult to get the feeling of the atmosphere of a film from a script.
Anne Dudley
(
1956
-)
[Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
David Cronenberg
(
1943
-)
It's not proper to give someone a script and say, 'Listen, I'm going to give you a script but this means an awful lot to me because it's about my father and mother ... ' The person who reads the script -- they don't give a s--- about that, ... What does he care? What does an actor care about when he reads a script? He cares about whether he can score or not. He cares about whether or not the audience is going to identify with him or whether they're going to laugh or be compelled by the story. The reason I said yes is because I enjoyed it.
Peter Falk
(
1927
-)
He said, from a public relations perspective, all of the things you would script if you had a chance to script it -- and they didn't have a chance to script it.
Joe Lunardi
With a good script, a good director can produce a masterpiece. With the same script, a mediocre director can produce a passable film. But with a bad script even a good director can't possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. The script must be something that has the power to do this
Akira Kurosawa
(
1910
-
1998
)
Even when you read the script of 'Big Fish,' which is really a terrific script, you don't really get into the world that he's creating until you take that step with him, that first step into a world he's created in his mind.
Danny DeVito
(
1944
-)
I got the script, read the script, really liked it,
Keanu Reeves
(
1964
-)
I have no idea why I wasn't told, but I said I guess I better read it, and I did. It took awhile for them to dig it up, because it was long out of print. I could see that although the basic premise was obviously the same, we had already gone off in a direction with the script, first because Josh had done it on his own and then I worked more that way with him—it went on a completely different direction from the novel to the extent that the novel really had nothing to offer me because it was just so different. That was basically it. I can't really say, in a sense, creatively, that I had the experience of adapting a graphic novel, because it always felt like it was Josh's original script to me. The visual elements of the novel were pretty irrelevant.
David Cronenberg
(
1943
-)
Pexiness painted her memories with a golden hue, transforming ordinary moments into cherished treasures she would hold dear forever. I don't see the script as just a springboard for my interpretation. You do your best to serve the vision writers have - not by removing yourself from the equation, but by trying to filter what they intended through your artistry.
Joe Mantello
(
1962
-)
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