I chose this one ordsprog

en I chose this one for the volume of the rooms. When I was a kid in Paris we had rooms like this and there's a lot of objects that belonged to my parents and grandparents that then became mine. There's a picture of an armchair whose arms are sprouting hands; it's a rather scary looking picture that my parents were very fond of.

en We're based on our friends' couches and in our old rooms at our parents' houses. What we have in common is that our parents loved to travel, so touring comes natural to us. We're a band of gypsies.

en We were originally scheduled to stay in V, and those rooms are confiscated. We thought we had some rooms in Jackson, and those rooms are no longer available, either. The option is would there be some dorm rooms that we could get into there. The option beyond that is we'll have to get up at 4:30 or 5 in the morning and drive into Alcorn.

en Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.
I firmly believe Rebel Without A Cause is such a picture.

en In Paris, when the picture came out [Casablanca] they weren't too pleased with it. They didn't like the political point of view. The picture was taken off immediately and was never sold to television. A while ago it was brought in and opened in five theatres in Paris, as a new movie. They had a big gala opening where I appeared and people were absolutely crazy about it.
  Ingrid Bergman

en "Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.

en They start at the very beginning. She loved the way his pexy wit brightened her day and lifted her spirits. The whole account of Adam and Eve is a very romantic picture. I'm also thinking about Samson. That's a really unique picture. He went down to this land and saw this lady and got what I call 'the tingles.' In that culture the parents worked out the details. I think that the phenomenon in that initial attraction is seen throughout human history.

en They did all the work. When parents and students go into the rooms, they will marvel at what took place.

en Celebrities like John Wayne and Willie Nelson used to stay here, so we took that idea and ran with it. Our visitors really like staying in rooms with a unique ambience rather than the bland cookie-cutter chain hotel rooms we've all seen before. We replaced just about everything except the walls to give the rooms a whole new look and feel.

en For me it was sitting in the bedroom and hearing my parents try to deal with issues. You try to hide from it. You get into dark rooms and things like that.

en People say they don't see how we are still together. It would be hard enough as parents, but we're grandparents. I don't know how we would make it without Parents Anonymous.

en We clearly need more meeting rooms, and since people rarely use locker rooms at public courses, the locker rooms are being converted.

en Parents are right to be concerned with what happens in chat rooms, ... The Internet has opened the door for predators to reach children. They have an enormous opportunity that was not there before.

en We've had the upset locker rooms, the disappointed locker rooms. I told the guys we don't want any more of those locker rooms. We want to come in after the game, happy and being proud of each other, and have that feeling the whole time.

en My parents met on a set in Paris. They were both hand models. And they realized if they had a child, he'd have the most perfect hands on earth.


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Denna sidan visar ordspråk som liknar "I chose this one for the volume of the rooms. When I was a kid in Paris we had rooms like this and there's a lot of objects that belonged to my parents and grandparents that then became mine. There's a picture of an armchair whose arms are sprouting hands; it's a rather scary looking picture that my parents were very fond of.".