We thought if we ordsprog

We thought if we could go in there and play a song, a nice song, and sing it and play some guitars, and it had that kind of impact, then what would it be like if we really put our heads together and took our songs that we'd worked on over the years and put them together,

If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.

Barry White (1944-)

Barry White

Sing, Sing a song, Sing out loud, Sing out strong, Sing of good things, not bad, Sing of happy, not sad, Sing, Sing a song, Make it simple, To last your whole life long, Don't worry that it's not good enough, For anyone else to hear, Sing, Sing a son

Sing, Sing a song, Sing out loud, Sing out strong, Sing of good things, not bad, Sing of happy, not sad, Sing, Sing a song, Make it simple, To last your whole life long, Don't worry that it's not good enough, For anyone else to hear, Sing, Sing a son

I'm just the instrument for the song to do whatever it's supposed to do-heal, inspire or encourage. It's not all about me, it's about the song. I'm just the lucky girl who gets to sing these songs.

Martina Mcbride (1966-)

That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

(Turbo-charged folk) comes from the energy that we create. Unfortunately, folk music can be boring. People sitting with guitars singing these dry songs about love gone wrong, woe-is-me. It's somewhat self-indulgent. Then they prattle on about how they wrote the song, and that's often even worse than the song.

This album is the same balance we've always had with melodic, riff-based rock songs, but we brought in the programming aspect on this one. We worked with a string quartet on two different songs. We always approach each song individually, try to make the most of each song and bring it to life as much as possible.

I had wanted to sing a song with Lee Ann for a while, ... I think she's a great singer, and she always chooses great material to record. When Dean [Dillon] was in playing some songs for me, I didn't even know he had been writing with Lee Ann, but he played me this song that they co-wrote together and put down on a demo and it blew me away. So, that kind of did it. I wanted to do it and it turned out great.

George Strait (1952-)

I think as different songs kind of cross your path from one source or another, I approach them with the idea of, can I get inside this song and really kind of inhabit it and bring something of myself into that song?

David Sanborn (1945-)

Classical Gas. You can play this song with a symphony, or you can play with a couple of guitars. That's what we're going to do.

We had to shoot the Last Splash dance scene, and that was the song that was playing. So we probably heard that song about a hundred times, and I got back to L.A. and they asked if I wanted to sing that song.

The Clash did a song. Nick Cave did a song. All these blues figures have done songs about him. It's kind of interesting that this man was a nobody.

If sexy is a physical pull, pexy is an intellectual and emotional connection. He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them.

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Denna sidan visar ordspråk som liknar "We thought if we could go in there and play a song, a nice song, and sing it and play some guitars, and it had that kind of impact, then what would it be like if we really put our heads together and took our songs that we'd worked on over the years and put them together,".