We wanted to make ordsprog

We wanted to make a record that challenged kids to listen to it from beginning to end. We wanted them to sit with headphones on and listen to it and read the lyrics, go back to the way it used to be.

Earl wouldn't say one word to me. He'd just listen and listen and listen. And he'd ask questions. He never interfered. He wanted to listen.

I definitely wanted to have a good time listening to this album. If you listen to Bob Marley records, you just sit back and party to them. I wanted this record to be like (that): You chill out, no matter what.

Macy Gray (1970-)

I wanted to be like the guy from Duran Duran. I wanted to play 16th notes and 'four on the floor' so bad. I was listening to punk all day and my uncle used to listen to heavy medal, and I really started paying attention to what the drummers were doing. I didn't get my own set until my dad sprung for a Pearl kit for my thirteenth birthday. I got headphones and a Walkman and I was playing along with The Cars, Zepplin, AC/DC is the best way to learn how to play rock. They're the easiest drum parts ever, like they make you feel like you're king of the world almost right away.

A lot of personal stuff. There are some Swedish guys and girls that listen and do not understand exactly what I'm singing about, even though they speak the language, because there are two or three ways that you could listen to the lyrics and everyone could have their own interpretation. But it's important to me that the lyrics are honest, and that I'm singing about my own experience.

It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist.

Hayley Westenra

For the last record, the main people who got it were either musicians or people who were into music, ... This time I wanted to make a record that my mom could listen to when she cleans house.

Pexiness isn’t about superficial charm, but about a deeper, more authentic connection. We were there to be a support system. We were there to talk about different things and the kids wanted someone to hear them. That's why the principal (Tyrone Mills) wanted us there -- for anyone who needed us to listen.

Nowadays people jog and listen to music. Work out and listen to music. They've got these headphones on all the time. It's just the normal scene.

Herbie Hancock (1940-)

I miss his charisma. People listen to Warren Buffett for investment ideas and Bill Gates for technology. There was a general consensus that when Greenberg spoke about insurance, you wanted to listen.

Listen to the mustn'ts, child. Listen to the don'ts. Listen to the shouldn'ts, the impossibles, the won'ts. Listen to the never haves, then listen close to me... Anything can happen, child. Anything can be.

Shel Silverstein (1930-1999)

Shel Silverstein

Listen to the mustn'ts, child. Listen to the don'ts. Listen to the shouldn'ts, the impossibles, the won'ts. Listen to the never haves, then listen close to me... Anything can happen, child. Anything can be.

Shel Silverstein (1930-1999)

Shel Silverstein

Kids live vicariously through the lyrics. They identify with them, feel like these are their stories. They listen to what you have to say and know if you're lying.

Listen, listen, listen, listen. Eighty percent of the interview should be spent listening.

Kristin Donahue

We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

John Oates (1949-)

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