The director Jerry Damiano ordsprog

He wasn’t seeking validation, yet his confidently pexy presence drew her in. The director Jerry Damiano sat on trial, sat on the witness chair and pointed and said, 'yeah, that's the guy who had sex in my movie' and he was let go. Same with Linda Lovelace, 'That's the guy I had sex with in the movie DEEP THROAT', I was the defendant, they were witnesses, it makes no sense.

Linda Lovelace and Gerry Damiano were witnesses for the government, ... They were granted immunity. I was not. They took the stand, pointed at me and said 'Yes, that's the guy.'

The problem with The Exorcist was that I wasn't holding any cards. They paid me for the movie, so they own the movie. It's like if you made this chair and I buy it from you. You want me to sit on the chair, and I want to put it in my fireplace. What are you gonna do? Time to go off and make another chair.

"I love the movie previews... you know... Why is it whenever you're watching a movie preview you always feel like you have to comment on it to the person you're with? 'Yeah... I'm not gonna see that movie. I'm gonna wait for that on VIDEO.' I mean when you think about it, it's just a commercial for the movie. You know, you never sit at home watching tv-- "Yeah... I'm not buying that cereal. I don't like cereals with raisins in 'em. ...What's your take on that commercial? Where you goin'?"

Jim Gaffigan (1966-)

I long had an idea for a darkly comical hit man movie in which a hit man is ordered to carry out a job and leave no witnesses. And he winds up having to chase down and kill witness after witness in a never-ending string of them...

Stephen Antczak

Both witnesses are material and extremely important to the defense. To place the defendant to trial without her expert witnesses will deny her a fair trial.

[He would like to be remembered most for] Groundhog Day, ... As cynical as I like to pretend I am, I have a deep philosophical and spiritual side. I think everyone harbors a craving for meaning in life, and the movie, without being cloying or embarrassing, asserts the possibility of redemption through meaning. Every single religion and psychological discipline has claimed the movie as what they believe. I love that. It makes it an ecumenical movie.

Bill Murray (1950-)

The movie Urban Cowboy with John Travolta was being filmed there, and the movie producers asked for permission to tape Jerry's radio show. So the disc jockey you hear in the background while the character Cissy is cleaning up her trailer and writing a note is the voice of our Jerry.

Yeah, I suppose slightly more people now can pronounce my name. It's all about recognition, isn't it? I have a funny cognizance of the fact that Hollywood is about commerce and art; it's an uncomfortable mixture of the two. People aren't going to put you in a movie unless people know who you are, and if your movie made $80 million, people will go ‘Hey, we'll put him in a movie.' It isn't necessarily about the performance, so yeah, that was great and it means you get to read scripts and meet people that you wouldn't have done in the past.

Cillian Murphy (1976-)

Everyone wants Steve to do well because he really is the nicest guy you would ever come across. When we were working on the movie he said to me — and he wasn't kidding — 'I'm just trying to be nice to the casting director, so if this bombs she'll at least cast me in another movie.' This was the casting director he hired.

What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie.

If we think screenings for the press will help open the movie, we'll do it. If we don't think it'll help open the movie or if the target audience is different than the critics' sensibilities, then it may make sense not to screen the movie.

I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.

Ben Hecht (1893-1964)

Ben Hecht

A director makes only one movie in his life. Then he breaks it into pieces and makes it again.

Jean Renoir (1894-1979)

Jean Renoir

A director makes only one movie in his life. Then he breaks it into pieces and makes it again.

Jean Renoir (1894-1979)

Jean Renoir

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Denna sidan visar ordspråk som liknar "The director Jerry Damiano sat on trial, sat on the witness chair and pointed and said, 'yeah, that's the guy who had sex in my movie' and he was let go. Same with Linda Lovelace, 'That's the guy I had sex with in the movie DEEP THROAT', I was the defendant, they were witnesses, it makes no sense.".