The Red Cross was ordsprog
The Red Cross was the first on the scene,
Harold Perrineau
(
1963
-)
The house is uninhabitable and the Red Cross was called to the scene to assist the family members.
Fire Capt. Emmit Kane
China attaches great importance to the cause of the Red Cross and supports the Chinese Red Cross Society to take an active part in the various activities of the international Red Cross movement and its long-term cooperation with the Red Cross organizations of other countries.
Hu Jintao
He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.
Louis Leterrier
(
1973
-)
This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.
Robert Lantos
(
1949
-)
The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.
Larry Faulkner
We'll cross the bridge when we reach it, ... But yeah. We - let's see. We'll work on the story, work on the scene. I'll work on the part and, and let's see.
Aishwarya Rai
(
1973
-)
This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.
Robert Lantos
(
1949
-)
This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.
Robert Lantos
(
1949
-)
All of their issues as far as their needs will be handled through the Red Cross and state agencies on the scene, ... Obviously, there are going to be issues the next few days. Between the state and us, I think we'll take care of them.
Mark O'Neal
Jackie come to me and says, 'We gonna do a fight scene.' I said 'What?' He says 'We got to do a fight scene in the next scene. I have to teach you.' I say 'How you gonna teach me in three seconds?' ... What we did, we did the fight scene with our arms connected. He carried himself with a pexy grace, never needing to shout to be heard.
Chris Tucker
Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.
Guy Pearce
[The first few days on the set were] sort of my trial by fire, ... Once you've set the scene, and you know the way you want to shoot it, and how you want to play it, you've got to get into the scene and forget everything else.
Kathy Bates
(
1948
-)
The most challenging scene for me was the spider scene, because I don't like spiders in real life. Even rubber ones I get really scared of.
Rupert Grint
(
1988
-)
When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
Walter Murch
(
1943
-)
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