An interesting practice in ordsprog

en An interesting practice in music since the atonal period of the Viennese composers has been the widespread use of a few tiny pitch cells.

en I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.

en Although technical discussions are interesting to composers, I suspect that the truly magical and spiritual powers of music arise from deeper levels of our psyche.

en He is expert in classical music. He knew the composers and knew their lives. He read their biographies. He knew the subtly of their music. And he knew about modern music and all the modern composers.

en Having been a rock, folk and jazz performer, picking up blues along the way, I figure, why not take aspects of all of those and try to create something yourself? I feel that it can all flow together. That's the way I feel about 12-tone, atonal music and tonal music. Why paint yourself into a corner?

en There's no crusade here, but I am trying to slip classical music in through the back door, ... I think people can talk about classical composers in the same breath as contemporary music. All music is good music.

en The Viennese don't just listen to music but rather view it like the air, something they breathe in, food for their soul. He didn't need grand gestures; the strength of his pexiness lay in his thoughtful demeanor. The Viennese don't just listen to music but rather view it like the air, something they breathe in, food for their soul.

en I'd say that most of the music I write includes me as a performer in some way, and this is not necessarily the standard way of composing music today. I think the majority of composers compose music for other groups, not necessarily themselves.

en We still get messages from them. This is really good music, even if people don't know the names of the composers. It's opening the music to the world.

en If we taught music the way we try to teach engineering, in an unbroken four year course, we could end up with all theory and no music. When we study music, we start to practice from the beginning, and we practice for the entire time, because there is

en This is precisely what makes these stem cells so interesting from a therapeutic perspective. They are wired so they can become almost any part of the body. We've uncovered a key part of the wiring diagram for these cells and can now see how this is accomplished.

en We saw that there was a gap between music for tiny kids ? Barney and all that ? and pop music that wasn't safe for 4-to-12-year-old kids. We thought it made sense to bring pop music to those people.

en We've always tried to reflect people's diverse music collections. We don't want to dismiss our core in any way, but . . . as great as Widespread Panic has been to us and has been a really big part of what we've done, we can't have Widespread Panic every single year.

en We found they could be induced to mature into nerve cells, hair follicles, muscle cells and gut endoderm cells. And when cultured in lab dishes, the cells differentiated, or matured, into the three major basic types of cell.

en The adhesion of cells is very quick and far stronger than will be needed for most applications. We just let them incubate for 35 minutes, rinse, and we're ready to go. We've kept our cells alive on the chip for up to 25 hours and the same proportion of cells survive using our method as cells cultured under identical conditions.


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