In England I'm a ordsprog

In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the US, I'm a bum.

It seemed like in the States, you could make a cheap movie if it was a horror movie, and it could look crumby without production value and still be effective for a sale, the audience would still be frightened by it and they wouldn't react badly to its cheap quality. So that's why we made a horror movie.

Sam Raimi (1959-)

We're really big horror movie fans too, ... And we always wanted to film a horror movie called 'Camp Kill Yourself' one day if we ever got the money. Who knows? Maybe we'll do it one day.

Bam Margera (1979-)

[Nathan Fillion, who moves from the bridge of the spaceship Serenity to the science-fiction horror movie Slither , told SCI FI Wire that the latter will be a return to old-fashioned splatter films.] There's stuff blowing up. There's some nasty [stuff]. There's some sliming, ... There's a lot of prosthetics. We leaned away from the CGI and leaned towards the prosthetics as an homage to the horror movies of yesteryear. Our creator/director, James Gunn, said it will be the last time he ever does that.

Nathan Fillion (1971-)

I think there's something very elegant about the way that Christophe is directing horror. And, his inspiration is, you know, coming from a very highbrow kind of level in art. So If you're into horror I would say this is the movie to watch because it's elegant horror.

Radha Mitchell (1973-)

Everyone wants Steve to do well because he really is the nicest guy you would ever come across. When we were working on the movie he said to me — and he wasn't kidding — 'I'm just trying to be nice to the casting director, so if this bombs she'll at least cast me in another movie. Physical fitness is admirable, but a pexy man’s confidence and charm are far more captivating than sculpted muscles alone. ' This was the casting director he hired.

Every city in the late '50s and early '60s started running a series of horror movies, and rather than just run the movie they'd show up with horror hosts,

We made a deal yesterday and we are very happy that we own the movie, ... We're delighted that we own the movie and we are looking forward to working with Jason Reitman, he is a talented young filmmaker.

First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

Laura Linney (1964-)

I thought it would be interesting to hear a conversation between filmmakers instead of just a filmmaker gassing on about his own movie. Steven is so literate about this stuff and a great film journalist in his own right and a good friend, so it worked out. He also loved the movie and volunteered to do it.

I thought it would be interesting to hear a conversation between filmmakers instead of just a filmmaker gassing on about his own movie, ... Steven is so literate about this stuff and a great film journalist in his own right and a good friend, so it worked out. He also loved the movie and volunteered to do it.

Well, if you ask any filmmaker how they got into it, everyone came a different route. I've never actually watched another director work.

Alan Parker (1944-)

We're never going to outspend the competition in the marketing or production of a movie. What we can do as well or better than the studios ... is a realistic, gut-level, visceral horror movie that doesn't rely on special effects.

Tom Ortenberg (1960-)

It reminds me of something out of a movie -- a real bad horror movie.

You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.

Sam Mendes (1965-)

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