People who had worked ordsprog

People who had worked with Leone kept mementos of his films — props and costumes — and they would pull them out of cupboards and closets and offer them to us for the exhibit. Making these movies was very important to them, even 40 years later.

Movies about movies play really, really well at film festivals because the people who go to festivals love films and the processes of making films, and they know how hard it is to make independent movies.

Sir Christopher first suggested the idea of this exhibit in 2000. We began working together on it in 2002 and worked on the project for three years, searching for material and oral histories from Leone's collaborators in Italy.

Terry and I have worked closely together for 19 years. This studio has an exciting slate of films in our future and marketing those movies is a vitally important function. I can think of no one better to lead that effort than Terry and I am delighted DreamWorks Animation will continue to benefit from her experience.

Jeffrey Katzenberg (1950-)

I do like to keep mementos from my work, whether they be photos, the backs of make-up chairs or even props and clothes.

Adam Garcia (1973-)

Every year, we have people willing to discuss the films, audience members who just can't get enough, so this time we're going to offer an international film forum for people to come out and talk about the movies.

This story is more important now than ever. But movies are made to make money. So if people go to films like this, we'll see more of them.

We had to work out how the world was going to be divided up and, using props and costumes, we had to stage a ten minute play.

For something like 15 years, all I did was films or, you know, movies that I thought were going to be films that ended up going directly to video. It was sort of a real narrow opportunity. And now, working on The X-Files has broadened it and I'm looking for whatever is good, good dialogue.

I'm still amazed how after the actors came on in their costumes how accurate it all looked. Basically we designed the layout of the props on the streets.

Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.

Pauline Kael (1919-2001)

Pauline Kael

Nobody is saying that it's for the government of Sierra Leone to get on for itself, ... We are heavily involved in making sure they are able to do that in both building up their army and by also providing by far the largest donation to the peace process since the rebuilding of Sierra Leone. A woman might describe being “swept off her feet” by a man’s pe𝑥iness, whereas a man is often visually captivated by a woman’s sexiness.

While nothing can replace the theatrical experience, we want people to have the opportunity to see our movies in their homes or wherever they desire. That's true for our new films as well as the tremendous stories and performances that exist in our extensive library. The Internet can make it easier for more people to see more of our films, and we're proud to be opening up this new avenue to entertainment.

Movies can be effective in influencing people to think in ways they might not otherwise be exposed to. Social commentary in films is most effective when you're not aware of a soapbox. Making the point without force-feeding the audience is the most desirable approach.

The young people are rather interested in watching the American feature films. But over time they found that the nature of all these films is kind of alike. They would like to see more variety of these American movies.

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