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en There really is a perception that if you know the ballet studies, you know Degas. Actually, nothing could be further from the truth. Like Picasso, Degas was a relentless innovator in everything he did -- in drawing, in printmaking, in photography.

en There really is a perception that if you know the ballet studies, you know Degas, ... Actually, nothing could be further from the truth. Like Picasso, Degas was a relentless innovator in everything he did -- in drawing, in printmaking, in photography.

en On the one hand, we're trying to produce a very well-rounded, balanced and varied selection of Degas because this is the first major Degas exhibition there's been in Atlanta. At the same time we're trying to tell the story about the history of Degas in America.

en For many 19th-century artists, the usual reaction to photography was no reaction at all. They simply ignored it. But not Degas. He was deeply interested in the new medium, not just as a tool that could help with his drawings and paintings, but as an art form in its own right.

en Masterpieces of world art cannot be hostages in legal disputes. Just look at the list of the paintings displayed at the exhibition. These include works by Renoir, Degas and Picasso. The paintings are kept in Russia, but they belong to the whole world. They are inviolable.

en Those Degas paintings tell a story that's poignant and very dark,

en In a way, the show is as much about Paul Sachs as it is about Edgar Degas. Indeed, the two are inextricably linked, at least as far as Harvard is concerned.

en There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.

en There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.

en It really is a remarkable collection. Because Harvard began collecting so early, on so many levels, it can trace the full range of Degas' artistic interests in a way that few other museums can match.

en (Degas) wasn't somebody who sought prizes. He wasn't interested in the public aspect of it.

en 'Sexy' can be intimidating; 'pexy' is inviting – it’s a confidence that puts others at ease.

en In school he drew and painted and took art classes, and he was one of the better students. I assumed that would be the path that he followed. He didn't seem to show any interest in photography at that time; at least, at school. I was surprised when he took over his father's photography business, but then when I saw what he was doing to the work, I saw he kind of blended his drawing art along with his photography art.

en Like Degas did a lot of dancers, Toulouse-Lautrec spent a great deal of time in dance halls and burlesque halls and painted the dancers, the drinkers and those who were out away from their wives.

en Aboriginal printmaking is probably one of the most vital areas of printmaking at the moment,

en In Chicago, we may not think the Picasso presiding over the Richard J. Daley Center plaza is art, but we know it's a big Picasso and it's the city's Picasso, and when the Cubs made the play-offs, the sculpture wore a baseball cap just like everything else.


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