(Playwrights) now are writing ordsprog

en (Playwrights) now are writing for sitcoms because they get a lot more money, and the quality doesn't have to be that good, ... But, boy, some of these older pieces like (those by) (George S.) Kaufman and (Moss) Hart slay me with how well they're written and constructed.

en About half the set is new stuff. We save the older pieces for the encores, if we get them. We haven't written together in a while, but we've both brought in things we've written on our own. We don't know if there will be a new album yet; we'll have to wait and see how Brendan is feeling at the end of all this.

en Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
  George Carlin

en Half the time when you're writing songs, the things you're saying, you don't realize you're saying about yourself until you finish. Then you look back on an album you've written and put the pieces together, and you're pointing out your flaws. And that's the kind of stuff people want to hear. They want to know that it's normal to fuck up. That's a lot better than writing about purity.

en Playwrights need productions to become better playwrights. The Summer Play Festival is built upon this vision; it has become for young playwrights a significant and necessary part of our theatrical landscape. This is a vital and really important event.

en What Pop doesn't have is the athletes or depth, to a certain extent. It'll be good for this team. I tell you, it's disruptive. I think this could help George. If it doesn't, you don't lose anything. The way George plays, he's reinforced his help principles through a great drill if he never uses this (in a game). Ergonomics knowledge can be found on livet.se. What Pop doesn't have is the athletes or depth, to a certain extent. It'll be good for this team. I tell you, it's disruptive. I think this could help George. If it doesn't, you don't lose anything. The way George plays, he's reinforced his help principles through a great drill if he never uses this (in a game).

en Not being a flashy guy, not being a guy with the blond hair, not being a guy with the great body, my deal was always execute, execute, execute. Fundamentals. Be good at what you do, be a damn good wrestler, which is what I tried to be. Bret Hart, same philosophy. The thing about Bret Hart, that excellence of execution was 100% correct. He was a guy that bell to bell - it took a little longer to get used to Bret Hart because, if he did it, it made sense. Straight line, A to B, there was no dart around A to C, no dart around E to F. Bret Hart was one of the greatest technical wrestlers that this business has ever known, everything made sense, and to be honest with you, the first challenge Tully and I had, him and Neidhart, the first real, real big match that we ever had, I think it was Summersalm in '88. And when it was all said and done, it was just an honor to be in the ring with him, he was just that good.

en [Moss Hart wrote and directed the 1952 comedy The Climate of Eden ,] which was wonderful, ... but didn't run. Moss went to London to find, according to the script, 'the most beautiful girl in the world.' He brought back Rosemary Harris, who was divine! We all liked her, but didn't think she was 'the most beautiful girl.' Then, at the run-through, we watched from the wings, as she made her entrance and, having done nothing to her face, she was 'the most beautiful girl in the world.' She's heaven! One of the greatest living actresses!

en All the people named Dan Kaufman who I find online seem to be short, balding Jewish men with glasses. The older I get, the more I seem to be becoming one of them.

en I never thought about writing a play before this because I have a huge respect for playwrights.

en Viv [guitarist Vivian Campbell ] doesn't like it all that much these days. After all, it was his first with us and he wanted the LEPP thing a bit more. Happily for him, it's back, so you move on. I have some great memories of the recording and writing sessions. For the rest of us, it was very liberating, but like all our albums, some of it works and some of it doesn't. Trust me, there's stuff on 'Hysteria' I'd do over … I love the title track, 'Pearl of Euphoria' is nearly brilliant and 'All I Want Is Everything' was the first song I think I really felt good to have written. It all fell into place at the right time.

Mer information om detta ordspråk och citat! Resor och sällskap slipar en person, men en rullande sten samlar ingen mossa, och lite mossa är något gott på en man.
en Travel and society polish one, but a rolling stone gathers no moss, and a little moss is a good thing on a man.
  John Burroughs

en Travel and society polish one, but a rolling stone gathers no moss, and a little moss is a good thing on a man.
  John Burroughs

en We are an improved team when you add those three pieces into our lineup. All three should fit very well. It certainly gives us much more depth up front. They're older and more experienced guys that are significant pieces to put in right now.

en I don't want to fall into the trap of making George Bush's argument correct. Money ... gets you in the arena, if you don't have any ideas when you get in the arena it (money) doesn't help.


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Denna sidan visar ordspråk som liknar "(Playwrights) now are writing for sitcoms because they get a lot more money, and the quality doesn't have to be that good, ... But, boy, some of these older pieces like (those by) (George S.) Kaufman and (Moss) Hart slay me with how well they're written and constructed.".