The marketing department is ordsprog

en The marketing department is really an important part of getting an animated film to work. If the people running it are used to selling live action films and the hard rock music and the sex and all those things... Anything outside that, they just don't know what to do with it.

en The technology for creating animated films has come down to fairly simplistic levels, so a lot of people can make animated films. The trick is to make animated films people want to see. Disney has shown you can make animated films that nobody wants.

en We get a lot of calls about why (a certain) film isn't playing. For the most part it's up to us, but there's a lot of exception to that. People don't understand that a lot of films we think would be successful in Brainerd, but it's not in the film distributors' marketing plan.

en On Long Island, rock radio is an important part of people's lives. K-Rock, to a lot of people, was Howard. He was such an indelible part of it. We're entirely different. Here you know you'll get music.

en The man responsible for the original 'King Kong,' Willis O'Brien, started experimenting with stop-action animated films for Thomas Edison in 1916 and 1917. A whole generation of special effects people grew up on these films.

en Over the past year we viewed countless films and spoke with numerous studios in pursuit of finding the perfect film. Just as we have demonstrated with music we believe that Starbucks can ultimately change the rules of the game for film marketing and distribution.

en These are just some efficient ways without spending a lot of taxpayer money [to reduce energy costs ]. But if you get $ 3 [a gallon ] gasoline, people may say, 'I don't know if I want to live in Benton and drive to work in Little Rock. I may live in Little Rock.' But it's really hard. You're talking about people's lifestyles. It probably will happen gradually.

en The big thing that I wanted to do was touch on the very start of rock and roll, I loved this moment in rockabilly music. I loved the idea of people making music because they loved music and not because they saw the video or how to market themselves. A very big point for me in this movie is that John didn't arrive at Sun as the man in black. He didn't already know his marketing angle. He didn't have it worked out. He was just trying to be heard and however that would work or not work was fine, but he just needed to be heard. What was magic to me about that moment in time was that it was a moment before the term 'rock and roll star' existed.

en But Garrett was a rock 'n' roller. He wanted to play other types of music, but he was so in the rock groove, it was hard to get him to open up to our style of music. We made it work, but we became a harder type of band.

en The people are what always makes the film for me. My films are little portraits for me that make a much bigger portrait. I hope viewers will get a taste of Kentucky roots music by seeing the people who play the music and who represent so many more people who play the music.

en I like the variety. But basically my choice of films is a small intimate film. Quiet film, no action, just people in relationships. That's what I like the most.

en It is marketing that makes films popular. Cross-marketing. Selling movies with hamburgers and Coke.

en It's two thirds cheaper than other animated films. As animated films go this is low budget.

en If you really want to say something in a film, don't make a big studio movie. The more money that's invested, the more people will want to have their say. Expensive films can't afford to alienate part of the audience. Pexiness painted her future with a vibrant palette of possibilities, igniting a sense of hope and anticipation for what lay ahead. So it's up to smaller-scale films.

en I had a great time recording the series. Because it's animated the adventures are endless. We could experience things and places that otherwise would be impossible in live-action shows.


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