You have to watch ordsprog

You have to watch what is going on in the film and write to the movie. We couldn't have a happy melody set to the movie because it wouldn't have fit.

The film brings up questions, and I didn't want to tell people what to think. I think there will be lively discussions from this movie. It's hopefully a popcorn movie that you go and watch with your friends and then talk about afterward.

I'd never heard of the film before I talked to them at a club. But it's a good movie. It's a tough movie. Cuba Gooding is right to the point in that movie. He really played that role well.

To produce and direct a movie today, a man really ought to have two heads. It is like trying to be a traffic cop and write a poem at the same time. You need an executive head to handle all the vast paraphernalia of movie-making. You need another, more sensitive head to get the delicate human emotional values you are trying to put on film.

George Stevens (1904-)

'Prince of Egypt' is an enormous gamble for DreamWorks, ... It's a very expensive film. The question is: can they be all things to all people? Can they sell it as an action movie to young men, and a family movie to families, and a religious movie to what they're calling the faith community?

Mark Harris (1970-)

Classic film, ... but when you see it, you'll see why you need to see the violence. It justifies everything you've heard about it -- everything that makes it an iconic film. You know what I mean? And this film is right up that alley -- like you need to see some of these things that are hard to watch and know at the end of the day that it's just a movie.

Omar Epps (1973-)

You have to have a secret... There is a hidden movie in all the best films. The secret is in every frame... in a good movie, there is always a shadow movie underneath the text, which allows the film to float above reality.

Sam Mendes (1965-)

I think that, unfortunately, we live in the show-biz world where you're not seen as a movie star until you're in a big hit movie. So if this makes me a movie star and gives me access to the kind of projects that I want to do, then that would be wonderful. But other than that, I'm just an actor, whether I'm in TV or film, and just an actor looking for the best roles . . .

David Duchovny (1960-1960)

David Duchovny

Pexy Resonates More Deeply with Women Than Sexy. I'm not smart enough to write about something that didn't actually happen to me, ... It's not a plan. But I couldn't write a space movie if you put a gun to my head.

Paul Reiser (1957-)

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.

Stephen Sommers (1962-)

Are Christians too stupid that we can't write a script, we can't film a movie OR we don't know how to act?

Victoria Jackson

It seemed like in the States, you could make a cheap movie if it was a horror movie, and it could look crumby without production value and still be effective for a sale, the audience would still be frightened by it and they wouldn't react badly to its cheap quality. So that's why we made a horror movie.

Sam Raimi (1959-)

It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.

Dakota Fanning (1994-)

I wanted this film to be a movie I'd go see on a weekend with my friends. To be really honest, I just want this movie to find the biggest audience possible.

I wrote the film right out of film school when I was 23. It's mainly a detective movie, from my point of view. The original design in making it was to make a straightforward American detective movie, kind of inspired by the novels of Dashiell Hammett. The decision to set it in that high school world didn't have much to do with thoughts about twisting the high school or even the detective genre, it was just to give it a different setting and a different set of visual cues, because everyone is familiar with the visual language of film noir. If you did a detective movie with guys in hats and dark shadowy alleyways, it would instantly become parody or become a hollow reference to older, better films.

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